Last summer, the MoMA screened a 35mm I.B. Tech print of Fantasia… twice. Naturally, I attended both screenings knowing it’d be forever until I’d see the film in that format again. x)
Before going to either screening, I went in ready to take mental notes in order to properly compare the color palette from the 35mm print to that of the Blu-ray. (I believe somebody on the Blu-ray.com forums pointed out that same 1990/2010 shot comparison, titanic.)
On the 35mm I.B. Tech print, that Toccata shot was extremely close to what is seen on the Blu-ray. No darkened backgrounds, all blue. In addition, most all of The Sorcerer’s Apprentice, Dance of the Hours, The Nutcracker Suite– all nearly identical to the Blu-Ray. Hardly anything was difficult to make out and the colors were incredibly vibrant. The other segments, Rite of Spring, The Pastoral Symphony, A Night on Bald Mountain/Ave Maria, I swear were somewhere in between the 1990 and 2010 restorations. Some shots looked like the BD, others more like the murky 1990 print. I can’t explain it, but that’s exactly what I remember thinking after walking out of both screenings. (God, I wish there were pictures of what I saw readily available!)
Now, does this mean that the Superscope print, therefore, should line up exactly w/ what I saw last summer? Not necessarily. Especially considering the print I saw was from 1969, and I don’t know enough about the Technicolor process (or what the original Fantasia negatives even looked like) to call out an “accurate print” when I see one. But I’m just throwing this all out there for anybody who perhaps heard of the screening and was unable to attend for whatever reason. In any case, the Superscope stills posted so far all look incredible and I can’t wait to finally see this print in full.
(If nobody can tell by this point, Fantasia ranks as my absolute favorite Disney film, so this entire project means a great deal to me. Major kudos to everybody involved. ^-^)
Hi. About IB prints, it’s important to note that this print might date from several generations and since then, the color maight have been manipulated several times (among othe factor). At this point, I don’t think we’ll be able to get it 100% accurate with all the elements we have (I might be wrong, though).
On the Deems Taylor vs. Corey Burton’s voice work, It’s sad that some parts are missing/dammaged, but at least we got something. The things they could have put more efforts to are: 1) Chose a better sounding actor that could have sounded more like Taylor (Burton doesn’t hold a candle on that, but then, Disney decided the cheaper/easier way. 2) The sound editor(s) could had put more effort on the accountic to sound more ancient (for authenticity’ sake with the original elements). After all, it’s a 1940 movie, even restaured, make it sound as such without travesting it to something else it’s not, and I don’t think most of the targeted public would mind that, anyway.
Now, on this project, who’s doing what and what’s the update on this ? Sorry to ask, but it got a bit mixed up along the way and I haven’t been here for a while for personnal maters.
Thanks to answer