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Episode IX: The Rise Of Skywalker - Discussion * SPOILER THREAD * — Page 160

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Anakin Starkiller said:

but 3 different writers without a plan?

Five, actually. TFA has three credited writers and RoS has two, although Abrams is one of each. For comparison the OT had three and the PT had two, and all the of the first six films at least gave Lucas a story by credit, so there was guiding vision. RoS gives that credit to DotF’s writers (for some reason), so if you count those the ST has a whopping seven different writers, only one of which appeared for more than one entry (Abrams). Compare that to the PT being almost singlehandedly written by Lucas (with help on AotC) and the difference is night and day. The PT knew what story it wanted to tell and the ST didn’t. Hell, the ST even had a different producer each on top of Kennedy and Abrams (the latter only for the ones he directed).

The reason the writers of Duel of the Fates received a writer’s credit is because a fair few ideas like Chewie receiving the medal and superweapon Star Destroyers were all present. It’s part of WGA rules.

It speaks to a problem with J.J.'s films, he incorporates ideas without thinking of the context of said ideas and the ramifications they’ll have on the story he’s telling. It’s why in retrospect I find the starting points of the Original Trilogy trio so jarring as they’re in pretty much the same starting points in A New Hope. It’s just there to evoke feelings and nostalgia. Nothing more.

As a sidenote, one thing that’s starting to bother me more and more is how Return of the Jedi has the Death Star II and in the very next film we see yet another Death Star in Starkiller Base. This is so jarring especially if you’re watching the films in sequence order. Do we really need back to back films with a Death Star?

“Heroes come in all sizes, and you don’t have to be a giant hero. You can be a very small hero. It’s just as important to understand that accepting self-responsibility for the things you do, having good manners, caring about other people - these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.” - George Lucas

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Chewie receiving the medal and superweapon Star Destroyers were all present.

I legit don’t remember those being in DotF, but I’ll take your word for it.

As a sidenote, one thing that’s starting to bother me more and more is how Return of the Jedi has the Death Star II and in the very next film we see yet another Death Star in Starkiller Base. This is so jarring especially if you’re watching the films in sequence order. Do we really need back to back films with a Death Star?

People bitched about Starkiller Base, but DSII is no better. ANH should’ve been the end of it.

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Anakin Starkiller said:

Chewie receiving the medal and superweapon Star Destroyers were all present.

I legit don’t remember those being in DotF, but I’ll take your word for it.

As a sidenote, one thing that’s starting to bother me more and more is how Return of the Jedi has the Death Star II and in the very next film we see yet another Death Star in Starkiller Base. This is so jarring especially if you’re watching the films in sequence order. Do we really need back to back films with a Death Star?

People bitched about Starkiller Base, but DSII is no better. ANH should’ve been the end of it.

And I’ll have to take the word for it of a reviewer I trust on YouTube. Haha.

I really have no problem with Death Star II as it plays into the story in luring the Rebels out of hiding once and for all. Palpatine’s overconfidence was his weakness. Although I can understand why some don’t like it.

“Heroes come in all sizes, and you don’t have to be a giant hero. You can be a very small hero. It’s just as important to understand that accepting self-responsibility for the things you do, having good manners, caring about other people - these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.” - George Lucas

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DS II does make sense from an in-universe standpoint, it’s just incredibly lazy out-of-universe.

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Anakin Starkiller said:

DS II does make sense from an in-universe standpoint, it’s just incredibly lazy out-of-universe.

Absolutely. At least it makes sense within universe unlike Starkiller Base.

Here’s a rundown on the similarities between Duel of the Fates and The Rise of Skywalker.

https://screenrant.com/star-wars-9-rise-skywalker-duel-fates-script-story-similarities/

“Heroes come in all sizes, and you don’t have to be a giant hero. You can be a very small hero. It’s just as important to understand that accepting self-responsibility for the things you do, having good manners, caring about other people - these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.” - George Lucas

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Trevorrow too wanted to deal with the Medal controversy. “Duel of the Fates” features a scene that’s an echo of the medal presentation in the first Star Wars film, with Leia presenting medals to the various heroes; Finn, Rose, Poe, and Chewie. Naturally, this scene was impossible after Fisher’s passing, and instead Abrams had to find a more subtle way to pull off the same kind of idea.

More subtle?! Are you fucking kidding me?!!

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Here’s why the “a little planning” argument fails out:

The problem with The Rise of Skywalker is that the guy who was hired to come in and “fix” it to Lucasfilm’s satisfaction was completely uninterested in following any plan. Including his. Plans only have any worth if someone chooses to follow them. And Abrams wasn’t going to follow it. He didn’t even follow his own.

So you have a creative who doesn’t care about any plan (even his own) and executives unconcerned with making anyone adhere to that plan. Lucas was very much the same way. Guiding visions sound noble but if the person doing the guiding isn’t GOOD AT IT then you still wind up with more bad movies than good.

Plans aren’t laws. Especially not in a creative area. There’s a reason screenwriters are lowest figures on the filmmaking totem pole, and it’s not because they don’t know how to stick up for themselves.

Sometimes movies are just bad because the creatives making them don’t make the right decisions. It’s not a conspiracy or anything. Guiding visions and plans in place are security blankets for fandom. They’re not foolproof ways forward to making good movies, and there aren’t even really that many examples to prove the strength of that assertion anyway. Not that it matters. Security blankets can’t really protect you from monsters, either. But it feels like they can, and that’s THEIR worth.

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I feel it’s more about authenticity, less quality. Though I don’t think we reach ‘what could have been’ territory without a disappointing result, grass is always greener etc, the emphasis has been on auteur theory (of which Lucas himself believes). You can still like one thing better than the other or find another artist who personally takes the risks you like to see or achieves your idea of a satisfying result, it’s true even auteur theory doesn’t define or determine good or bad, but for some of us and now maybe even more after TROS that’s the vision we rather would have seen, for its authenticity, quality not guaranteed.

“The ability to destroy a planet is insignificant next to the power of the Force.” - DV

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Matt Smith Confirms He Almost Appeared in ‘Star Wars: The Rise of Skywalker’ in a Big Role’:-

https://collider.com/matt-smith-star-wars-rise-of-skywalker-confirmed

&

'Matt Smith Says His Cut Star Wars Character Was A ‘Big Shift’ In The History Of The Franchise’:-

www.slashfilm.com/651004/matt-smith-says-his-cut-star-wars-character-was-a-big-shift-in-the-history-of-the-franchise

 

Matt Smith in quotes…

“We were close to me being in [‘The Rise of Skywalker’], but then it just never quite happened. I think the thing they were thinking of me for, eventually the part became obsolete and they didn’t need it. So I never got to be in ‘Star Wars.’ There we are.”

“…it was a pretty groovy thing. It was a really groovy part in concept. It was a big thing, a big story detail. You know, a transformative ‘Star Wars’ story detail. But it never quite got over the line.”

 

The Happy Sad Podcast’ - with Matt Smith (a 39 minute chat):-

https://podcasts.apple.com/us/podcast/matt-smith-vol-ii/id827905050?i=1000540602965 (just click on play to listen - free)
 

a 2 minute video clip of the interview with Matt Smith - https://twitter.com/joshuahorowitz/status/1455864856230436868

 

I wonder what the role was - a younger version or a clone of Palpatine, Palp’s son, or other?
 

A little patience goes a long way on this old-school Rebel base. If you are having issues finding what you are looking for, these will be of some help…

Welcome to the OriginalTrilogy.com | Introduce yourself in here | Useful info within : About : Help : Site Rules : Fan Project Rules : Announcements
How do I do this?’ on the OriginalTrilogy.com; some info & answers + FAQs - includes info on how to search for projects and threads on the OT•com

A Project Index for Star Wars Preservations (Harmy’s Despecialized & 4K77/80/83 etc) : A Project Index for Star Wars Fan Edits (adywan & Hal 9000 etc)

… and take your time to look around this site before posting - to get a feel for this place. Don’t just lazily make yet another thread asking for projects.

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oojason said:

I wonder what the role was - a younger version or a clone of Palpatine, Palp’s son, or other?
 

Welp! I’m glad he finally spoke out about it as the only official confirmation we had was Internet Archive records on Disney’s UK website showing him part of the cast. Richard E. Grant also commented on it at the time to Radio Times:

“Oh, it’s definitely worth it,” he says. “If you’re a Star Wars fan, and I am, then knowing what’s coming in this is quite something.

“I absolutely understand why they’re so secretive about it, because it’s very exciting.”

The film also offers the opportunity for a reunion between Grant and former Doctor Who star Matt Smith, who has also been confirmed to star in Star Wars IX around six years after the pair clashed as the Doctor and The Great Intelligence in the BBC sci-fi series.

“Yes, we were in a Christmas special and another episode together,” Grant says. But will they share any scenes again?

“I would be fired if I told you anything about that,” he smiles.

https://www.radiotimes.com/news/film/2019-02-24/richard-e-grant-can-you-ever-forgive-me-oscars-star-wars/

I think I remember rumours at the time saying he’d be playing The Son from The Clone Wars or a younger clone version of Palpatine. I can imagine him as a variation of Palpatine before or after he Force Drains Rey and Kylo’s powers as he regains his youthful form. I can see them changing this because they felt fans would prefer seeing Ian McDiarmid the whole film.

“Heroes come in all sizes, and you don’t have to be a giant hero. You can be a very small hero. It’s just as important to understand that accepting self-responsibility for the things you do, having good manners, caring about other people - these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.” - George Lucas

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I suspect he was the main villain until they opted to bring Palpatine back. I don’t think rejuvinating Palpy into a different actor was ever even on the table. Ian McDiarmid is Palpatine.

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I don’t think we’ve seen the last of these characters. I can’t wait to see what comes next.

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Buzz Lightyear said:

rocknroll41 said:

If anyone’s curious, I just did a post on my blog detailing how I would handle post-TRoS content if I were Disney:

http://henrynsilva.blogspot.com/2021/12/my-pitch-for-future-of-star-wars.html?m=1

Looks good to me. I especially like the “age of division” idea. Makes the sequel trilogy feel more justified, since it brings the galaxy to a different place than it was at after RotJ.

Thanks, glad you like my ideas! And yeah that was my core thought as well.

https://henrynsilva.blogspot.com/

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You need well developed characters and stories before you can ship characters. The ST is a hot mess that is especially deficient in both.

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Each trilogy has its pluses and minuses. The OT is the oldest so we have spent the most time digging into it. The PT was very controversial when it came out and now things have evened out. This year marked as long between ANH and TPM as TPM and the present. When the ST is as old these fiery topics will have likewise calmed down.

All movies go through much the same development process that isn’t over until they make the final edit. The ST was just a normal 3 movie development process. It is what Hollywood does. It is what George does. There were things he might have changed up until the last edit. What matters is the final cut.