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Cremaster 3 is about 1000x more obscure than most movies that are usually talked about on here (here’s a Letterboxd link: https://letterboxd.com/film/cremaster-3/), but I thought I’d share anyway.
Recently I saw Matthew Barney’s Cremaster Cycle at Metrograph in NYC and loved it. It was an extremely rare screening of all five films on 35mm. The movie series is infamous for its rarity of screenings and never being available in any at-home capacity–a little bit of artificial scarcity at play (although I completely understand Barney’s desire for audiences to see his work in a theater).
All of the Cremaster films have been available through torrenting (their origin being, I believe, the very rare, very expensive DVDs Barney sold many years ago). However, the torrents don’t do the cinematography justice. Since 99% of people who see these films these days are watching the torrents rather than the superb print, I’ve decided to AI-upscale the only known digital transfer of Cremaster 3 (which is the most ambitious and famous film from the cycle) to 4K. Then I’m going to grade the movie to the best of my memory of the print (with some added grain).
Obviously, there isn’t a lot of wiggle room when it comes to grading something that originated on DVD. But I’ve brought a chunk of the film into Resolve, and there is a lot of info in the shadows that people are missing out on. The crushing of shadows and the clipping of highlights is the biggest difference between the print and the digital transfer that I’ve noticed, other than the resolution difference. Not much I can do about the clipping, but the shadows can be addressed.
I am using Gaia through Topaz Video AI. The results are similar to Inland Empire’s recent official 4K “restoration.” It is definitely an increase in resolution, especially in close-ups, but it certainly isn’t reaching actual 4K’s resolving power. I’d say it is closer to 1080p or a nice 720p.
I’ll probably take my time doing this considering I’m probably the only one who cares, but I’ll update when it is finished.
original (easy shot)
AI-Upscale with some color work
original (difficult shot)
AI-Upscale with some color work