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Info Wanted: Best source for the Mos Eisley speeder pass-by shot? — Page 2

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All of what Harmy said is correct. After I posted my previous message, part of me kept thinking "Why would an earlier source look grainier?" So now I really don't know why the GOUT appears sharper and "more detailed" than the 35mm, when a 35mm print obviously has more real detail than a standard-definition video transfer, even if it's from an earlier-generation source. Nor do I know why it appears "grainier" when an IP would have less grain than a print.

Perhaps the GOUT has artificial sharpening as well as DVNR? That's the only thing I can think of.

I do know that the Blockade Runner explosion has extra detail in the Technidisc and GOUT, where on actual prints it's blown out and appears solid white, due to the increased contrast with each generation. I was thinking about that when I wrote my original response, but obviously this is something entirely different.

This is why we need to stop using the GOUT as a frame of reference. :)

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That's different, that's just blown out whites. I think it's the scan that's fuzzy here, not the print, I've seen different scans of this shot from two different 35mm prints and it looks way sharper and more detailed than the GOUT. This may be soft and have a flat smeared look because of compression though, it looks like it's from a heavily compressed file.

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negative1 said:

darnit, still getting to that shot..soon,

but here's a previous one... sample over

60 frames, every 10 frames..

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later

-1

 

I am breathless. Absolutely breathless.

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Man, I'd love to get my hands on the raw capture of that shot and the fly-by... cleaning up the JSC fly-by for Harmy's version was a challenge, but it might be a bit easier with a higher res source.

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Yeah, that's just lots of JPG compression.

Laserschwert said:

Man, I'd love to get my hands on the raw capture of that shot and the fly-by... cleaning up the JSC fly-by for Harmy's version was a challenge, but it might be a bit easier with a higher res source.

Well, the thing is...if/when this project gets released, Harmy won't need to despecialize the Special Edition anymore ;)

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pittrek said:

negative1 said:

darnit, still getting to that shot..soon,

but here's a previous one... sample over

60 frames, every 10 frames..

-------

 


 

later

-1

 

I am breathless. Absolutely breathless.

Mind = blown.

It's fantastic to know that the real Mos Eisley will finally be preserved properly.

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Asaki said:

Yeah, that's just lots of JPG compression.

 

Laserschwert said:

Man, I'd love to get my hands on the raw capture of that shot and the fly-by... cleaning up the JSC fly-by for Harmy's version was a challenge, but it might be a bit easier with a higher res source.

Well, the thing is...if/when this project gets released, Harmy won't need to despecialize the Special Edition anymore ;) 

 

There's a lot more left to be done once the 35mm stuff is all captured... thus, for now I only would like to have those two shots, which were two of the biggest SE victims ;)

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My apologies for ever doubting you negative 1.

Obviously you have been a man of your word. Well done.

I love everybody. Lets all smoke some reefer and chill. Hug and kisses for everybody.

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Laserschwert said:

Asaki said:

Yeah, that's just lots of JPG compression.

 

Laserschwert said:

Man, I'd love to get my hands on the raw capture of that shot and the fly-by... cleaning up the JSC fly-by for Harmy's version was a challenge, but it might be a bit easier with a higher res source.

Well, the thing is...if/when this project gets released, Harmy won't need to despecialize the Special Edition anymore ;) 

 

There's a lot more left to be done once the 35mm stuff is all captured... thus, for now I only would like to have those two shots, which were two of the biggest SE victims ;)

check your pm... same for Harmy..

later

-1

[no GOUT in CED?-> GOUT CED]

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again, a few more samples ..

still working on it...

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later

-1

 

[no GOUT in CED?-> GOUT CED]

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Wow, that looks great. You can actually see detail in the landspeeder blob shot now.

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here's a better comparison of the shots

gout on the top, frame below:

 

in our shots, the lighting might be off,

there's a lot of grain, and there is no

color correction...

---------------------------------------------------

 

 

 

 

 

 

 

 

 

 

 

 

later

-1

[no GOUT in CED?-> GOUT CED]

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-1 wasn't the whole point of the blog so that this kind of stuff would be privatized and it could not be traced back to you?  Your posting all sorts of images recently goes against your previous habit of deleting ALL YOUR POSTS.

A Goon in a Gaggle of 'em

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negative1 said:

here's a better comparison of the shots

gout on the top, frame below:

 

in our shots, the lighting might be off,

there's a lot of grain, and there is no

color correction...

---------------------------------------------------

 

These shots look so terrible on film because they were comp'd too many times resulting in an increased graininess and a much softer picture. Hence why they look super bad when Lucas wanted them smoothed over in the 90's to match surrounding shots better. For the special edition I *believe* they went back to the original film elements before being comp'd and did it digitally. A long story short; I don't think this shot needs to or even should look too much better, the fact that you've got it pretty much how it originally looked is great I think!

BTW if you wanted to post a clip or two some time I'd love to have a play with it in AVS and see what could be done with it. :)

[ Scanning stuff since 2015 ]

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bkev said:

-1 wasn't the whole point of the blog so that this kind of stuff would be privatized and it could not be traced back to you?  Your posting all sorts of images recently goes against your previous habit of deleting ALL YOUR POSTS.

 there are tons of scans of frames.

it's not really an issue.

if people need references. like moth3r requested this.

here it is.

later

-1

[no GOUT in CED?-> GOUT CED]

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I'm surprised how much more information there is on the sides of the 35mm scan compared to the GOUT shots. Just when you thought you've seen all there is to see of Star Wars...

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I'm surprised how much more information there is on the sides of the 35mm scans compared to the GOUT scans

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Imperial Slug said:

I'm surprised how much more information there is on the sides of the 35mm scan compared to the GOUT shots. Just when you thought you've seen all there is to see of Star Wars...

you lose 5%-15% or more, due to the cropping in the theater.

and also due to the cropping for home versions.

viewing at home, and in the theater is very different.

 

there's a whole thread of cropping and images here:

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http://originaltrilogy.com/forum/topic.cfm/Cropping-the-Original-Trilogy-35mm-vs-dvd-gout/topic/13945/

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this is the standard practice.

about overscan:

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http://en.wikipedia.org/wiki/Overscan

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There is no hard technical specification for overscan amounts for the low definition formats. Some say 5%, some say 10%, and the figure can be doubled for title safe, which needs more margin compared to action safe. The overscan amounts are specified for the high definition formats as specified above.

Different video and broadcast television systems require differing amounts of overscan. Most figures serve as recommendations or typical summaries, as the nature of overscan is to overcome a variable limitation in older technologies such as cathode ray tubes.

However the European Broadcasting Unionhas safe area recommendations regarding Television Production for 16:9 Widescreen.[7]

The official BBC suggestions[8] actually say 3.5% / 5% per side (see p21, p19). The following is a summary:

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and for movies:

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2.39:1

 

For a correct presentation, the area within the red rectangle (projector aperture of 0.825" by 0.690") is projected with a 2x horizontal unsqueeze onto a 2.39:1 sized screen.

Examples: Star Wars, October Sky.

 

 

 

by the way, good resources about projecting:

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1

http://hsvmovies.com/static_subpages/formats/anamorphic_format.html

 

2

http://hsvmovies.com/static_subpages/formats/aspect.html

 

3

http://www.widescreenmuseum.com/widescreen/lbx.htm

 

later

-1

 

 

[no GOUT in CED?-> GOUT CED]

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The GOUTKILLER strikes again!!

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What's with the black area on the upper right corner of the first frame? Surely that's not what the actual frame looks like, it's covering picture information that shows up in the GOUT.

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TServo2049 said:

What's with the black area on the upper right corner of the first frame? Surely that's not what the actual frame looks like, it's covering picture information that shows up in the GOUT.

yeah, don't worry about that.

 

these are just test shots, taken with

a camera that didn't have manual focus,

and we were doing quick captures..

 

we'll have much better scans and shots

a little bit later on. again these are just

reference shots to show the colors of the scenes.

not the quality or detail, which will be higher of course.

 

also, note in the later shots, a lot of those

areas are cropped off. i'll post that comparison

next.

later

-1

[no GOUT in CED?-> GOUT CED]