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Movie Adaptations

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I really liked the book "Diary of a Wimpy Kid" and it's sequels (hey, I work at a middle school).

Now there's a movie coming out, and while the trailers look faithful, I can't imagine it can capture the feeling of the book.

NO SPOILERS, but the book is the diary of a little kid. He's a little bastard with zero empathy or understanding of other people, but because the book is from his point of view, it's kind of charming because you see everything he does from his kid-logic viewpoint and how he actually doesn't realize what a bastard he is.

The movie though, with it's omniscient camera, is either going to have to change him fundamentally, or make a movie about a really really dislikeable kid.

It got me thinking about adaptations, and which have the most challenges, and which have it easy, and which are faithful, and which totally miss the point.

One that I thought of was "Count of Monte Christo" and how SPOILER ALERT in the book it's not clear who the count is, or what characters know who he is or not. But in the movie, with actors and closeups of reactions it's harder to pull that off, so even though the most recent adaptation was marginally faithful to the book, in one fundamental way the narrative was completely changed.

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The movie versions of A Christmas Carol have always missed the mark in one way or another.  

No adaptions have caught the true spirit of the Sherlock Holmes books either.

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Dracula. Why is it so hard to make a faithful adaptation?

http://i.imgur.com/7N84TM8.jpg

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TheBoost said:


One that I thought of was "Count of Monte Christo" and how SPOILER ALERT in the book it's not clear who the count is, or what characters know who he is or not. But in the movie, with actors and closeups of reactions it's harder to pull that off, so even though the most recent adaptation was marginally faithful to the book, in one fundamental way the narrative was <span style="text-decoration: underline;">completely </span>changed.

It may be because I read an abridged version, but I think this was pretty clear for the most part. I need to find myself an unabridged copy, I loved that book a lot.

A Goon in a Gaggle of 'em

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 (Edited)

TheBoost said:

It got me thinking about adaptations, and which have the most challenges, and which have it easy, and which are faithful, and which totally miss the point.

 It would be interesting to take into consideration the "line" (don't know if it's the correct word in English) of the "superstructure" wich bear the production, like "is it Hollywood?", "is it a command from television?", "what kind of public is the target?"

... The target of the SW prequels was surely not the SW fans, nor the target for LotR to be the Tolkien fans neither in the end, to give the biggest exemples.

Always seek who takes advantage of a crime !

 

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