Also: 35mm anamorphic is 2.35:1 whereas 70mm is 2.21:1. When 2.35 films like Star Wars were blown up to 70mm print sizes, the edges were slightly cropped but had better image fidelity. Still, it does not match up to a true 70mm shot film. And on Ben-Hur they added an anamorphic lens to the 70mm camera which then squeezed the ratio to an awesomely wide 2.76:1.
Sound-wise, 70mm wasn't limited to mono and stereo optical tracks like 35mm. 70 used a six track stereo magnetic audio system up until the Dolby version which changed two channels into a set of two "baby boom" giant subwoofer units. This was essentially the first LFE channel, and the format became 4.2 sound. This was then refined over time (and carried over into 35mm as a stereo matrixed 4.0) into the now standard 5.1 surround sound that debuted with Dolby's mix on Batman Returns in 1992.
The difference between IMAX and 70mm is very slight. Technically they are different formats, but I think this is only in numbers/measurements/ratios etc. Unfortunately very few theaters exist in the world that can actually present 70mm.