Therefore I’m re-encoding the main movie again to incorporate the Reel 3 cue mark fixes.
I love the quality of the film and especially the grain structure.
However, since you are going to re-encode again, is there something that can be done about the compression artifacts that are present in some parts of the film (mainly cantina sequence and some other dark parts)?
See for example:
http://postimg.org/image/7s64vt2sb/full/
http://postimg.org/image/qbc789hzv/full/