The quick shots from 2:11 to 2:13, and then 3:25 are just different views of what we’re already looking at (or about to look at), and they don’t vary in size or angle enough to create a sense of space and continuity. Intercutting with more shots of Brett might work, but I’d suggest dropping those 5-frame snippets of jelly-covered jaws - it’s like we’ve suddenly slipped into stop motion!
I have to say I do like the cut at 2:18 as it’s terrifically matched, though counter to the editing rhythm of the rest of the film (Scott and Rawlings were far too restrained for such flamboyance!)