Not necessarily - these are composites, so the piece of film that is part of the original negative has already been through a printer and other processes and could very well have channel misalignment on it.
There is no way to have separate elements to be misaligned differently within one frame, unless it happened in compositing. Basically anything that requires digitally extracting and manipulating separate objects cannot possibly be returning it to the original negative.
I wonder if it’s possible that they reconposited everything for the tech prints. It certainly seems to be a possibility because mike has talked about how the blue shadow on the text in the credits is different between tech prints, but the same across all other prints.
If that is the case, then the original negative used for Eastman prints wouldn’t have the misalignment, but the tech prints would.