More work going into reworking color schemes, Here I couldn’t stand that awful orange-yellow, greenish-teal of the bluray. I’ve started rotoscoping more shots like I had initially intended to separate actors and backgrounds (since much of it is artificial anyways). There are many places like on-location shots outside where singular grading is fine, maybe some power masks here and there, or ranged HSL/secondary color work. Yet to get many remaining sections pleasing to my eye, I’m finding myself having to isolate objects, or at least foreground vs background. This shot is more indicative on how far I can push a shot, so don’t take it as a final.
JEDIT: D’oh! Looks I left flux on accident again while grading today, so there’s a cooler tint there than I meant. Oh well.