Wow, that looks really great.
For the faded Eastman prints, can you apply those settings to the entire reel and get as good of results?
That’s another question that needs answering.
Can you do similar tests on the (amazing vanishing) ESB Grindhouse release? Or is there not enough recoverable color information?
I’m on the road, but I will try to run some tests, when I get the chance. The Grindhouse should be easy compared to the red shifted TESB examples I posted.