On the recent note of people not liking the contrast/black crush stuff that 35mm prints end up with, I thought I’d mention that I personally like 35mm contrast more than the flat, “every detail is seen it perfect light” stuff that home video generally has. Detail existing doesn’t mean it was meant to be seen in full. Oh, and Harmy, I like that you’ve pointed out the importance of retaining theatrical contrast, because what you don’t see is just as important as what you do see.