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Watched this last night, and good lord does it look wonderful. All of the 35mm stuff is integrated so much more smoothly than it was on the workprint. Now I’m really hoping that debated SW 2.6 actually happens, because this near-GOUTless wonder is so far ahead of the other two.
Actually, instead of making a v2.6 SW, I’m thinking about making v3.0 a quick 1080p update for all three movies. Essentially, for color correction just upscaling the 720p masters and applying it as a chroma (color) layer over the 1080p BD and replacing the Despecialized shots with just quick 1080p 35mm cleanups and then making v4.0 the final polished versions with new color corrections and more careful cleanup and rotoscoping and stuff (for SW, this would basically be almost the same as working on v2.6 and for the other two, it should be a fairly fast process, since by that point I should have all the 35mm shots ready at 1080p anyway).
I’m confused. What good would upscaling 720p be? Why not just start with the 1080p masters that we have?
It sounds like the chroma is being upscaled.
Isn’t that going to just cause confusion if a faux 1080P release is put out?