Yeah, I will definitely do some workprints for v3.0s - starting from scratch, there will be a large probability of errors.
We’ll see about v2.6 - if I did one, it would be just quickly splicing TN1’s shots in place of GOUT shots into the v2.5 lossless master and maybe fixing some of the more obvious color problems (it would probably end up looking somewhat like the Respecialized Edition).
Maybe consider replacing your animated Dewback by the cantina, you did a good job on it, but it does stick out a bit as not 100% authentic. That and the pink haze in the blue sky around some of your other fixes, like the Dewback mounted Stormtrooper.
Harmy’s rotoscoping has gotten better in recent years. But I still find it very impressive how well the un-extended corridor looks, considering how much camera movement there is and, surely, gateweave present on any non-specialized source (GOUT/35mm).
I think the whole Mos Eisley entrance scene will be a stunning improvement in 3.0. He did a good job before, but the (I think) lower quality scans didn’t really pair with the BD in some cases.