If someone wants to post images of the missing frames using the GOUT as a source, I’ll see if I have those frames on film anywhere. Probably don’t, but I will check.
The list below should be right. The frame-numbers are based on the GOUT after it has been demuxed with PGCDemux and run through DGIndex with forced film selected (in other words, post-IVTC). Althor, would you mind checking them?
42593-604 (inclusive)
45153-45156 (inclusive)
55746-50 (inclusive)
56085
56926
58476-79 (inclusive)
60759
64864
70506-7
78664
83448-51 (inclusive)
86658-715 (inclusive)
113650-5 (inclusive)
144051-5 (inclusive)
If these frame numbers are accurate, I can locate and upload the raw, uncleaned frames - all you’ll need to do is use Dre’s Tool to color match them, then crop & resize to match the surrounding frames and then pop them in where they belong… Actually, that sounds like quite a lot of work, but I’m happy to dig out the missing frames for you. The ones at the reel changes are not coming back, they were removed when the print was plattered too many times, but there are no missing frames between the reel changes. I can only assume we lost a few during imports and exports to different software - somewhere in the pipeline the framerate must have been changed from 23.976 to 24 and back. This may account for the smearing too, or that may be on the print also. If you can provide frame numbers I can check on that too…