I’ve been developing some new algorithms for color corection purposes. This one is particulary meant for HD transfers that are good in terms of detail, and exposure, but have the “wrong” colors, when compared to the 35 mm reference.
One of the problems of 35 mm prints, if you can call it that, is that a print generally has more contrast, more saturation, and less detail, than a scan made directly from an interpositive, as is often done when a HD transfer is made. Consequently, when you try to match the colors of a HD transfer to a print, the contrast is enhanced, leading to crushed blacks and blownout whites. Of course if you want to match the print in terms of contrast and exposure that’s not a problem, but if you want to have the colors, but still have it look like an official release, you’ve still got a little work ahead. This algorithm is a post-processing step, that can do this.
Here’s an example for The Dark Knight.
35 mm:
Bluray:
Bluray matched to 35 mm:
Bluray matched to 35 mm, and corrected for contrast, saturation, and exposure:
So, now we have 35 mm colors, with bluray detail, contrast, and exposure.
Here’s another example, for the Star Wars bluray (which is a bad reference, but it’s just an example).
35 mm:
Bluray:
Bluray matched to 35 mm:
Bluray matched to 35 mm, and automatically corrected for contrast, saturation, and exposure: