All you can do is tell the story your way, the best that you can. I must say I like the way George made Star Wars, the way he set it up and did it was extremely clever. He made it seem to have a very simple surface, but, in fact, it had a very dense, complex background to it.
I preferred that surface naiveté to the much more sophisticated way Kershner told his story. His style very much suited this rather more dark, metallic second section of the saga. I think this third segment has a different kind of glow and flavor to it. But, I tried to make it simple because the textures in Jedi are so very, very complex. There’s a world of new people and some of them are incredibly difficult to appreciate at first meeting.
Once George and I selected a writer, we then locked ourselves in a room for about two weeks. It was very exciting. Larry, George, Howard and I literally just gave our ideas. Each of us had a different way of seeing how the story could be structured and slowly it was built up.
There were a number of things I wanted to introduce, characters I wanted to bring into the movie. In every way, George was absolutely ready to listen and Larry and I saw eye-to-eye about many new things we wanted to do.
You could not, as a director of this extremely complicated saga, go away to England and start working unless you had examined the screenplay very closely. If you work on the script, you know it.
Post #878744
- Author
- Tobar
- Parent topic
- Up to the director?
- Link to post in topic
- https://originaltrilogy.com/post/id/878744/action/topic#878744
- Date created
- 30-Oct-2015, 1:06 PM