So tellan, obviously ife I control a Picasso I can:

Fix the colours, after all picasso would have used a more vibrant red, if it was on his pallet.

Fix the imperfections that have been bothering me.

...More of MY paint on Picasso's paiting...

And then distribute that altered work, correct?

Skeg, that is basically my argument. Film history - I'm trying to say - is like any other artistic history - like paint. And no, censorship is not stoping something from being seen, but rather controlling what is being seen. You can ban something - that isn't strickly speaking censorship. But if you say "yes, you can show this so long as it's like THIS" - that is censorship.