I really like what I am seeing here. Some really improved colors.
Of course we all approach this differently. My approach is to ignore the Tech IB prints and focus on behind the scenes images, videos, and the other films. ANH suffers from severe color issues and it seems to no matter what source you use. I like the Tech IB images I've seen (the images from the Senator screening have issues, but are still a good reference). They show a very different approach to brightness and contrast. In that respect they may be pretty accurate, but I am not relying on any one source.
I've been having rendering issues (hopefully now fixed) and I should know by tomorrow what my color choices are closest to. I just need to apply them to the Bluray.
My primary thought is that C-3PO should look the same in all his appearances (eps 3-6). There is a lot to go by there, but there seems to be a consistent tone to his color in most studio lit scenes. Somewhat brassy and less golden. Not all the way green, but less orange. The JSC has him overly orange on the blockade runner.
Also, I'm trying to address the magenta issue. The stormtroopers burning through the blockade runner hatch is the most annoying (its supposed to be bluish-white), but the baster hits are similarly off. They are supposed to be rose/peach pink instead a a purple/magenta pink. I've found that in addressing that issue first and trying to rebalance the colors based on that, it fixes most of the issues. Most. ANH seems to be repleat with color issues and has so many changes in the color mix from shot to shot that it would take some dedicated work to fix it. My goal is to fix the overall color pallet and then live with the shot to shot changes. Overall I'm going with less pink skintones and more peach. I've also check the color balance in the blockade runner corridors and found that what looks white tends to be bluish and that when you get closer to a balanced color (where rgb levels are nearly equal) that it looks a bit green or yellow.
The biggest problem I have found is that the bluray has many washed out whites and information loss. Some other versions don't so I intend to fix the bluray with other sources where possible.
What is funny is that as I continue to work (first with the bluray and currently with an LD capture) to correct the colors, I keep coming up with a similar pallet to the Tech IB scans. Not intentionally and I'm not referencing them, but that just turns out to be what looks good for color correcting the entire film.
I really wish DrDre's process worked on 2 hour video files. That would make my work so much easier.