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The question of course is, whether the detail was actually visible in the 1977 prints. You can of course bring out more detail by altering the color palette, but that's essentially doing another SE.
I think both Harmy and I have the intention to try to match the colors of the original negative, working from reference prints or in my case a reference frame provided by Mike Verta. The results can be quite different, as is evident from the following comparison:
http://screenshotcomparison.com/comparison/139124
Which is closer to the colors of the actual negatives? I leave that to your expert opinions/tastes, although I'm aware Harmy's been at it a lot longer than I have...