Very interesting.... I knew all about Psycho's odd matting choices.
I remember reading somewhere that 2 Fast 2 Furious, while shot in Super 35 like its predecessor to make 4:3 full screen versions and crop appropriately to 2.35:1, had the SFX scenes done within the full 1.66:1 (I think) aperture, but everything else was hard matted to scope. What do you think of that?
Looks like i'll be checking the 4:3 DVDs along with the SE widescreens then.