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4K restoration on Star Wars — Page 84

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We need the Trilogy to be restored in 28K, period.

Team_GTFO

“English, motherf***er! Do you speak it!?”

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 (Edited)

ilovewaterslides said:

We need the Trilogy to be restored in 28K, period.

Team_GTFO

 I don't think you can get 28K out of a 35mm film AFAIK, somebody correct me if I'm wrong.

No_teaM

<span>The statement below is true
The statement above is false</span>

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yoda-sama said:

My God, this horrible thread has made Frink replicate himself... HOW MUCH MORE HARM WILL THIS THREAD CAUSE TO THE WORLD?!?!?!?!?

 We will soon return, and in greater numbers.

team_endor

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TV's Frink; I've made you a nice image.

Team_over

“English, motherf***er! Do you speak it!?”

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Harmy,

We have sent you some sample 4k frames from the LPP. This should give you enough to test a short clip and see if there is a difference from the 1080p version.

Team Negative1

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Yet more pointless formats:

=================

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http://www.hollywoodreporter.com/behind-screen/fox-unwraps-first-four-ultra-802631

Fox Home Entertainment is releasing its first titles in Ultra HD resolution with high dynamic range (HDR): Kingsman: The Secret Service, The Maze Runner, Life of Pi and Exodus: Gods and Kings.

Additional UHD with HDR titles are expected to follow in the coming weeks. The initiative is led by Fox Home Entertainment and the Fox Innovation Lab, which has been experimenting with UHD with HDR mastering.

As previously reported in The Hollywood Reporter, 20th Century Fox recently decided to make versions of all of its new and recent movies in UHD with HDR, the biggest commitment to date on the content side.

The new titles are part of a beta launch, through which consumers can purchase these movies on M-GO and download them to their Samsung Video Pack, for viewing on Samsung SUHDTVs, which support UHD and HDR. (Fox previously supplied clips from Pi and Exodus for Samsung demonstrations).

Fox intends to support additional HDR formats as the hardware enters the market. For instance, Ultra HD Blu-ray players are expected in the market during Q4, and Fox is also planning to support this format at launch.

High dynamic range — meaning a wider range between the whitest whites and blackest blacks in an image — is viewed by many Hollywood tech leaders as the key feature that will create a more noticeable picture advancement for viewers, certainly compared with Ultra HD resolution alone. But while many tech industry leaders are in agreement on taking an HDR path, the challenge is how to implement it while sidestepping a potential format war.

Efforts are underway to standardize HDR. Among them, studio and manufacturer coalition UHD Alliance — which is led by Fox CTO Hanno Basse — is working to create an agreed-upon, consistent and interoperable HDR quality specification for home entertainment.

Team Negative1
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Forgive the crudeness of the model:

VHS - 1980s

DVD - 2000s

BD - 2006

UHD BD - 2015

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There's going to be a point where consumers get sick and tired re-buying all their movies again. There has to be some fatigue there.

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Betamax - 1975

VHS - 1976

Laserdisc - 1978

Squeeze-LD and MUSE LD - 199x

D-Theater - 2002

Blu-ray/HD DVD - 2006

UHD BD - 2015

(Not included: CED, CD Video, Video 2000, VHD, (*)VCD, etc...)

Nobody sang The Bunny Song in years…

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I don't see what's pointless about the industry moving toward >8-bit video. Most people can easily distinguish a >8-bit image on a >8-bit display from its corresponding 8-bit reduction. 2K vs. 4K on a 4K display... eh, not so much.

The sRGB gamut is just too small. Hell, NTSC is larger, so we're (finally!) coming full-circle.

A picture is worth a thousand words. Post 102 is worth more.

I’m late to the party, but I think this is the best song. Enjoy!

—Teams Jetrell Fo 1, Jetrell Fo 2, and Jetrell Fo 3

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Any new format beyond what is currently out, is pointless when it comes to requiring new hardware. Specifications are fine, but since there is hardly any difference to most consumers, the new formats will fail spectacularly, just as most HD formats, such as Bluray have.

You can only re-invent the wheel so often, before people stop caring.

Team Negative1

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At this point I'd doubt UHD Blu Ray is being targeted toward most consumers anyway. It could quite easily become a niche videophile format like Laserdisc was, with distributors putting out expensive collectors editions and the like.

Also Blu Ray hasn't (and never will) become the mainstream video format of choice, but it hasn't "spectacularly failed" either.

in perpetuity in perpetuity in perpetuity in perpetuity in perpetuity in perpetuity in perpetuity

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Handman said:

Forgive the crudeness of the model:

VHS - 1980s

DVD - 2000s

BD - 2006

UHD BD - 2015

 What, you didn't even have time to do it in scale and paint it?

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AntcuFaalb said:
I don't see what's pointless about the industry moving toward >8-bit video. Most people can easily distinguish a >8-bit image on a >8-bit display from its corresponding 8-bit reduction. 2K vs. 4K on a 4K display... eh, not so much.

The sRGB gamut is just too small. Hell, NTSC is larger, so we're (finally!) coming full-circle.


Apparently there is H265 in both 8 bit and 10bit.

Some screens can only display 8 bit and some can only display 10bit.

So depending on what content and what screen you may need to convert content to 8 bit or 10 bit depending on what screen you have.

Also previously mentioned recently about laser projectors i happen to have had the pleasure of sharing a room with a panasonic laser projector on a job this week it is the first time i have seen one.

Let me tell you this the remote control works from a good far distance it has 4 ir sensors around it's chasis. when you switch it on it comes on straight away after a short delay. it is totally silent has no light bleeding from the unit or for that matter hot air. the picture is really lovely but going back to what i was saying earlier about people not caring about higher resolutions.

Yes the latest in projection technology is running at 1024 x 768. But seriously it is still a superior image than even a HD projector and not only this but forget about lamp hours it lasts a whopping great 25,000 hours before the laser diode is recommended for replacement. i have been seriously wowed and impressed with this new projection technology and it is without doubt the future of projection... Oh yeah no hot spot in the middle either. it is just so good.

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Here is a timeline of important dates and formats:

==============================

http://en.wikipedia.org/wiki/List_of_years_in_home_video

And about film

=========

Those who could afford such luxuries could buy a 16 mm or 8 mm film projector and rent or buy home-use prints of some cartoons, short comedies and brief "highlights" reels edited from feature films. In the case of the 16 mm format, most of these were available with an optical soundtrack, and even some entire feature films in 16 mm could be rented or, at a steep price, bought. 8 mm films almost never ran longer than ten minutes, and only a few were available with a magnetic soundtrack late in the life of the format; the rest were silent. The Super 8 film format, introduced in 1965, was marketed for making home movies but it also boosted the popularity of show-at-home films. Eventually, longer and longer edited-down versions of feature films were issued, increasingly with a magnetic soundtrack and in color, but they were quite expensive and served only a small niche market of very dedicated or affluent film lovers.

Blu-ray has failed, because it has not replaced DVD's, or become the primary format for most releases. Digital releases have, and will overtake it.

Team Negative1

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team_negative1 said:



Blu-ray has failed, because it has not replaced DVD's, or become the primary format for most releases. Digital releases have, and will overtake it.

Team Negative1

 Sorry, but you're completely wrong. I'm not sure why do you call Bluray a failure, it's not as successful as the previous formats but I definitely wouldn't call it a failure. Formats like HD-DVD or Betamax - those are failures.

Digital releases will never overtake physical releases. It just can't happen. For example take people like me - I have never ever paid for a digital release of anything, and never will. OK, I once bought an mp3 single but that was an exception, I did it only because it was a charity release. If I should pay for something, I want to be able to hold it in my hands, and listen to it / watch it / read it whenever I want and how I want. I never ever will buy some DRM-infected "ones and zeroes" and it doesn't matter if we're talking about music, books, or videos. If the companies stop producing physical releases, I'll stop paying them. And you would be surprise how many people are just like me. Our numbers are too big to be ignored.

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pittrek said:

I never ever will buy some DRM-infected "ones and zeroes"

It's useful if your goal is to free it from its shackles. There's no BD of Slaughterhouse Five, but there's a VUDU HDX stream and we have a nice guide here on capturing from HDMI. :o)

A picture is worth a thousand words. Post 102 is worth more.

I’m late to the party, but I think this is the best song. Enjoy!

—Teams Jetrell Fo 1, Jetrell Fo 2, and Jetrell Fo 3

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pittrek said:

team_negative1 said:



Blu-ray has failed, because it has not replaced DVD's, or become the primary format for most releases. Digital releases have, and will overtake it.

Team Negative1

 Sorry, but you're all completely wrong.

 WFTFY

Team Olie

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Betamax was around for decades, even though that was in the shadow of VHS. HD DVD barely lasted two years.

Where were you in '77?

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And Team Negative 1, if Jay hasn't talked to you yet, he has spoken about team accounts, and how they should be used around here...

Jay said:

I don't have a problem with team accounts as long as the account is used to post in the team's own topics about their own projects. Using a team account to post your personal opinions in other threads isn't necessary and should be discouraged.

 http://originaltrilogy.com/forum/topic.cfm/Negative-One-and-TeamNegativeOne/post/772189/#TopicPost772189

Where were you in '77?

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I doubt this applies to individuals pretending to be teams. Not trying to insinuate anything about anyone's team accounts... but not sure Team Dinkins is entirely on the up and up.

Project Threepio (Star Wars OOT subtitles)

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If you have any concerns about someone sock puppeting, best to PM a mod.

Where were you in '77?

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Where's Team Ollie when you need them?

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Wazzles said:

Where's Team Ollie when you need them?

 

Where were you in '77?