Post #772001

Well now we're getting into that murky, almost philosophical territory of what the movie's ideal presentation is supposed to be: what's on the negative or what's visible to an audience via a 35mm or 70mm blowup print. "The negative" seems the obvious answer, but as we've learned, depending on the film, some parts of the frame aren't even meant to be seen (i.e. theatrical cropping). That could extend to detail as well.