Darn. Wish you could see the print I saw, but I don't think studios ship repertory prints overseas.

As I said, the Director's Cut is closest, but of course contrast was higher since it was a print, the colors on this 35mm seemed punchier (the green paneling on the turbolift actually had some saturation to it, the phasers and photon torpedoes had more saturation, etc.), and there was more orange/blue or orange/cyan in certain scenes (not orange/teal, and not the overcooled Blu-ray palette).

Now I just wish I could see a print, or even a new DCP, of Star Trek VI. The Blu-ray transfer was an atrocity, I'm so glad we don't see much of that horrible waxy degraining anymore. The push for 4K/UHD future-proofing seems to be leading to transfers that either aren't degrained, or are degrained less harshly, and then regrained to have a more "filmic" look. (Of course I prefer the former, but hey, either way stuff like STVI, Predator, Spartacus, etc. are going to look exponentially better when we get inevitable 4K remasters...)