Zyrother said:

I tend to agree on the color correction as well. Environment color looks nicer, but skin tones get the lobster effect going, and blacks seem to get crushed.

Plus, I think most people tend to agree that the GOUT has the best color palette in regards to the original elements. It manages to retain that very distinct 70s feel.

I would be surprised if most people here agree on anything, let alone that. :P Personally, I'm happy with and/or used to the GOUT color.

I think the lesson I've learned about color correcting this film is that there is no adjustment setting that will work perfectly for every scene/shot.