For sure the vanishing lines don't match, and the painting is not "shot" with the same lens as the live plate. That's not really arguable; the issue is does this kill the composite. If I'm the compositor on this plate, even with this mismatch you can go a lot farther to selling it with proper internal balance. The audience's attention and length of shot pretty much save it. But absolutely, yes, you need only extend the lines of the courses in the predominant wall and see they're not aligned with the live plate. I've just personally had WAY worse mismatches to deal with in composites before, and it's amazing what you can get away with in certain contexts!