topdawg193 said:
On the topic of the canyon set piece - I was wondering if anything had been done, specifically, in regards to the issue which I raised here (concerning the rhythm of that sequence). Harmy contributed a really great mockup, making use of rotation, that went some way to addressing my concern; I had really hoped that something similar might be incorporated for ESB:R. Just figured I'd highlight this again, in case it got lost in the shuffle.
One thing to remember; i hardly ever show clips that are 100% finished. I may say they are, but i'm always tweaking. I don't want to ruin things by showing most of the film before it's out .
I hadn't seen that harmy had posted a mock-up ( was that in here?) so i haven't checked that out yet. I have added a slight zoom and rotation to the two final canyon shots so it's a little closer to the original now. The TIE collision is in-between the original speed and the slower speed now too. The Canyon is also darker
yoda1138 said:
I do have one final question re the film, the other day I saw a cool trailer for Harmy's ANH fan-edit, the despecialized film, impressive!! Not seen it before. What I found extra cool was the trailer itself, he had put up FX and compositing wipes that explained how he and his helpers composited the shots/restored etc..
Wondering if one day you plan on making a similar trailer/making of? Your film i know will be fantastic beyond belief, but a making of documentary, well, I think that would be insane! with all your models and extra scenes etc.. (not sure if this is already happening, but it would be a giant on the internet.
There will be a short making of doc and an effects breakdown reel in the special features
.Mac. said:
This isn't a new suggestion, only something that I brought up a long time ago and again recently, but on both occasions I feel it got buried.
Ady, I was wondering if you also agreed with the inconsistency of the lighting inside the asteroid cave and hopefully had a chance to give it some thought and attention.
I don't see that as a problem. If i was to make it match the lighting in the previous shot, then you wouldn't see anything and it would just be a black background with the falcon and some highlights where the falcons lights hit the walls . A pretty boring composite. Just look on it as your eyes have adjusted for the light, or different exposure levels, especially when you haven't got the light source facing directly towards you ( which would make the walls look darker than they are in the first shot)