Hal 9000 said:
Not that any of them are necessarily meant to, but which version do you think is most similar to Harmy's De/Re-specialized versions?
From what I have seen of harmy's star wars despecialised version comparing it to my latest semi-specialised releases is like comparing apples and oranges, they are very different from each other and trying to achieve totally different things.
In terms of colours and image dynamics, his star wars despecialised release is very inconsistent compared to my releases, often varying a great deal from scene to scene, like when Ben and Luke first meet, which is overly bright and overexposed to my eyes. I imagine this reflects the inconsistencies of the theatrical print hes recreating the colours from, using the frames from the prints that he has been provided with.
From what I have seen of his latest Empire Strikes Back workprint it has a lot of colour/saturation/hue inconsistencies as well but image dynamics seem more consistant than with his Star Wars despecialised release. It has fleshtones that are too reddish for my liking and orangey fleshtones during cold external shots on Hoth that seem a bit strange and not right to me. I don't know what colour reference he's using for Empire Strikes Back or if he has frames from an unfaded print that I haven't seen, but I personally don't like watching colours changing saturation/hue from shot to shot in the same scene (the lights in the cryogenic chamber during the duel between vader and luke comes to mind), and characters faces being very reddish, looking almost sunburnt a lot of the time, it takes me out of the film, regardless of whether the theatrical print looked like that or not.
My semi-specialised releases however are all about maintaining colour/fleshtone/image dynamic consistency throughout the whole film, not about recreating exactly the look of the theatrical prints and their inherent inconsistencies. They have a single overall master setting to remove the blanket blue tint and correct the fleshtones so they are less red. The few 'rogue' shots with noticable colour inconsistancies, like in Star Wars where there are quite a few, I adjust the master settings to make that shot closely match with the rest of the scene around it so it fits in seamlessly and doesn't draw attention to itself. The same thing with all the shots taken from the german hdtv stream to remove the poor changes from the blu-ray like the creepy blinking ewoks, I use different settings to bring the colours in line with the rest of the film.
I used no single reference as such for the colours, though I have seen the varying colour schemes of the different home dvd/laserdisc editions thanks to althor's fantastic COLD releases, I just used the lightsources and fleshtones as a guide for what the colours should look like, as I do with all my releases, trying to make the film look as natural and appealing to me as possible.
So the short answer is basically that none of my semi-specialised releases look like his despecialised releases. If you want to see what I mean, you just have to check them out. Once i've got TGTBTU, OUATITW and Raiders of the Lost Ark out of the way, i'll start releasing these. All the grading work has been done for all three films, I just need to encode them now.