Chewtobacca said:

42:54

43:06

43:58?

I'm fairly sure I can hear all of your audio edits. Are you crossfading at edit points?

I just checked what I used in my project file. I used the audio fade filter in TMPG Video Mastering Works 5 to link the different audio clips together. Is that what you mean by crossfading? I just checked those cuts you mentioned and I'm personally satisfied with the audio cuts there, I feel they're pretty seamless.

I couldn't cut earlier with 42:54 because there were annoying droid sounds, 43:06 was always going to be problematic because there is music playing there where I cut but I felt I got lucky and the cut worked pretty well musicwise, I personally did not find it jarring. With 43:58 i'm changing back to belbucus's PCM audio from the special edition audio so the change will always be noticable if you're looking for the cuts but again within acceptable limits and not at all jarring IMHO.

I did actually spent a pretty long time getting them and all the other audio cuts in the film as seamless as possible, I'm a pretty difficult guy to please, but of course I'm an amateur audio editor and TMPG Video Mastering Works 5 is not a dedicated audio editing program. Overall I am satisfied that the audio cuts are seamless enough not to take me out of the film, which is the most important thing for me.