Harmy said:
This and Puggo's version confirm this very clearly, because PSB is very orange in this sequence, while the whole transfer is actually biased towards the opposite side of the spectrum, so the orange here must have been pretty strong.
The reinserted backgrounds look perfect, it's an astonishing achievement! Would it be possible to make the snow speeders in their first scene any less jittery too by using the same method? I'm also fine with the very orange sequence but how about a small compromise (like the brightness level in the Jundland Wastes in SW)? How can it be possible that the GOUT material looks completely neutral if the basic source had been that orange? Doesn't the extreme tone destroy some of the colour information?