Very good point! Not only are the albums in need of remastering, but there needs to be some coherence in the process too: for example, why is Rubber Soul, a fairly straight-forward/acoustic album, mixed in digital while Revolver, a more experimental one, is mixed mono? I would suggest keeping an unaltered, well-preserved original version available for researchers, historians and die-hard fans, while trying to adapt as faithfully as possible, on the other hand, the classic works to the new media and technology that keep appearing. And that goes for SW too!