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Info: Our projects released thread — Page 15

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Only The Wild Life has a Dolby Stereo credit on the theatrical poster.

Video boxes often simply copied the poster text, so there's no way to know for sure about the music.

Where were you in '77?

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Even though we're all taking a break, the other day I came across some comparisons linked to the article about the restoration of The Neverending Story and I just couldn't resist to take a look. It was comparisons between the source scans vs the final blu-ray.

If I got it right, the yellow tinted scans are from the negative of the international cut, and the pink ones from a dupe positive of the extended german cut.

I color corrected the scans (using mainly black and white points as well as midpoint average RGB and also manually balancing what looked "off") to be able to compare them to the blu-ray images and the result was a bit confusing in many ways. The first thing that you notice is of course that the negative and dupe positive has beautiful detail and grain which they scrubbed away with their waxdoll-DVNR. But then I saw a couple other things.

In the shot of the ivory tower, it looks like somebody took a photoshop brush and just amateurishly drew a brightening light over it, thus altering it digitally.

Then the shots of Morla, where you can see in my corrections that Morla's mouth is just as dark as the shadow under it, but in the blu-ray there's an orange shadow and the whole face looks like it's been painted orange while keeping it separate from the rest of the shot. In the same shots, if you look at Atreyu's arms it almost looks as if they tried to remove the blood.

Then you come to the shot with Atreyu between the yellow Oracle statues, and see that it looks like they used automatic dirt removal which also removed a lot of stuff in the background that is not dirt or grain.

And what's up with the green parts in the sky in the shot with Atreyu riding the horse?

I made a gallery with these pics so you can see this for yourself: http://imgur.com/a/RcurU

They're sorted 3 by 3, first - scan, second - my correction, third - blu-ray release.

Now, what do you guys think?

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Good job, You_Too! I like the fact that you restored the blue where the blu-ray has teal... but wait, maybe we should rename it teal-ray! (^^,)

About Team Blu projects in general: I'm following them, and I must say I'm very happy about your results, and the choice of movies. Keep going on this way, thank to you, Dark_Jedi and all the other TB members, the fan restoration world is richer now!

Sadly my projects are lost due to an HDD crash… 😦 | [Fundamental Collection] thread | blog.spoRv.com | fan preservation forum: fanres.com

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You_Too said:


Now, what do you guys think?

 I think that out of every shot, your colors look better by far. I remember seeing a matte painting of that ivory tower shot recently, wished i'd saved it but yours looks as close as i remember to those colors so you did a great job imo.

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Thanks, but unfortunately we won't get any complete raw scan...

We'll have to do the best we can with the blu-ray, but I found this interesting since apparently they didn't do much of a good job on the blu-ray, at least from what I've seen so far.

If Kingherb or anybody else could find those matte paintings it would be very interesting to see them.

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Nice job there You_Too, i'm liking what you've done with those.

Please tell me though that you're working off a blu-ray with grain and detail, not that DNRed blu-ray from the comparison shots. Everything just looks smudged on that blu-ray, how they can release a blu-ray like that is simply beyond me...

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@kk650: First of all, we haven't started to work on this one yet. What I did there was tests because I found those scans.

The plan is to work with that DVNR blu-ray at least for the extended cut, because it's the only source there is. (I think maybe there's an old German DVD release of it too but upscaled it won't look good anyway I guess) The idea is to remove the edge enhancement, add back grain either from the negative scans or the other blu-ray releases to give it the film look back.

We're still open for changing the plans for this project though.

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ivory tower

3 variations on the ivory tower, taken from this page http://nzpetesmatteshot.blogspot.co.uk/2013/02/the-skys-limit-part-2-more-matte-magic.html

Also check out this site http://www.caroleenjettgreen.com/portfolio/fx/ the artist has uploaded a picture of her painting, you can email her if you like, perhaps she can help answer some questions?

kk650 it was talked of earlier in the forum, and it seems like german/japanese release is the easiest to work with and fix, all the releases have there problems such as bad colors, crushed blacks, print damage/dirt, dnr etc, having compared shots of the German release with the Dutch and U.S it seems to me like the detail is still there in comparison, but it looks artificial because of the dnr, but Team Blu aim to fix that.

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Yeah, i've had a careful look between the different editions on capaholic and it really comes down to a faceoff between the german extended blu-ray and the japanese extended blu-ray, which the japanese blu-ray clearly wins with more retained detail, grain and better flesh tones than the german blu-ray. All the others are just totally overcooked or in the case of the dutch blu-ray has unappealing fleshtones and strange colour grading in general.

Yeah, there is definately detail there on the japanese extended blu-ray waiting to be brought out, I can see how you could make this work. Have you done any tests to see how it looks with grain added?

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@kk650: I've done some tests, back when the first shots surfaced from the German restoration. I posted some earlier in the thread but they were just lightly adjusted and they will need more adjustment.

Unfortunately there isn't much detail to dig up since I typically dig up detail from within the grain but there is no real grain! The grain that is there might be added artificially since it doesn't look like the grain on the negative scans.

Basically, what will be done with the extended version is this:

1. Blurring away the edge enhancement (fake edge sharpening)
2. Trying to dig up hidden detail
3. Blurring everything slightly to hide the DVNR waxdoll look
4. Adding grain from either the negative scans or other releases

But also considering how this has been altered so much, for the international version we might just adjust the Dutch BD, like digging up detail and color correcting it slightly.

Oh, and thanks Kingherb for the ivory tower shots, but the third one is the only that seems to match the film and it's just a DVD upscale.

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I don't think the extended version is salvageable. It's been completely grain raped. 

Should there be a non grain raped release of the theatrical release then that is what needs to be worked with. In my view the extended is too far gone to fix. You cannot un-erase grain raping. The detail has been removed permanently. 

I know some here find my views on these matters harsh, but I'm just being realistic. Work on what you can help. Not what is beyond help. This is way beyond help. It's been murdered.

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@Matt_Stevens: In a way I agree with you, but we gotta do what we can to make it more watchable since it's the only version we have of the German extended cut in HD.

By the way, on CinePostproduction's site I found the guy who was in charge over this restoration: http://www.cinepostproduction.com/?cat=19&member=669#tab2

Maybe somebody fluent in German (in case he's not fluent in english) could contact him and just ask why they applied the heavy DVNR, and if there's any way to get our hands on their restoration minus that horrible addition, or their raw negative scans. :)

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Well it seems a lot of you are really passionate about this film, well so are we, so all that said in the end we will decide what we will do, and what we can do to make things as good as we can, we have all our sources now in hand, US, German, Dutch, and now the Japanese Set, we always post screens and samples, so in the end if you are not satisfied with what we do well then just don't grab it lol, as much as we try our hardest to please everyone there will be times we just will not, I totally have faith that we will make this work, I mean we made the HDX version of Conan blend right in to the BD perfectly, and believe me it was not like this before we did it lol.

Thanks You_Too for posting all this info, and thanks to Kingherb for the pics and the nice zip file you sent me yesterday, we appreciate any and all help.

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Are there any fans of the movie Legend? if so can someone tell me what are the exact differences between the 3 cuts? I am tossing around an idea and I would love to know what the exact differences are between the 3 cuts, which are Director's, US Theatrical, and I am not sure what the other version is called lol, but I have it on my UK BD.

Thanks

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The other version of Legend would be the International cut that was distributed in 1985 by Fox outside of the United States. I used to have a pan-and-scan videocassette of that somewhere, years ago, primarily because I really wanted to see the film with the Jerry Goldsmith score. The Director's cut seems to be an expanded version of what I remember from the European cut. I could be wrong. If I can find that VHS tape I could be more specific, but I'm not optimistic about that.

The American version is the only one with the redone Tangerine Dream score, and was significantly re-edited when Universal exec Sidney Jay Scheinberg decided to target the Risky Business audience with the film (at the same time, he was trying to “improve” Terry Gilliam's Brazil — not his best year). Although Scott participated in creating the American cut, he did so reluctantly. Different footage is used throughout, Darkness' introduction is different, the kiss from the end of the movie was added to Tom Cruise and Mia Sara's first scene together, the alicorn is returned to the unicorn that was attacked by goblins at the end of the film.

The biggest difference between the cuts is the music. I actually like Tangerine Dream's score for the American cut, despite the accusations of it being anachronistic (I find that this is rarely a good argument — how is a modern symphony orchestra not anachronistic for the pre-historic Conan the Barbarian?) and too Eastern for the very Western-styled fairy tale. It's very moody, with some quite moving passages, and is pretty effective. Jon Anderson's vocals were added to the last cue of the film, apparently without the Dream's approval.

But Jerry Goldsmith's music, at times Romantic and at others impressionistic, is sublime. The film was planned with this approach in mind; the John Bettis lyrics for the songs were in the script. It is much more adept at creating the fairy tale atmosphere than the Dream, and there is one scene, where Jack begs the unicorn for forgiveness, where Goldsmith is effectively the “voice” of the unicorn, communicating its anger at Jack, fear and ambivalence, and ultimately absolution.

(There are a few cues from the composer's earlier Psycho II thrown in; it wouldn't be a Ridley Scott/Terry Rawlings project without a little jarring temp track love, would it?)

“That’s impossible, even for a computer!”

“You don't do ‘Star Wars’ in Dobly.”

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Thanks for all that nice info Star, but is there anything telling\showing the exact differences between the 3 cuts? I know there is a 4th cut but that was a TV cut and really would not be very helpful, because from what little I know, there are some scenes on the European cut that is different then the DC and US, all 3 have little things here and there lol.

I have not done a movie edit in a very long time but this is a title I would really like to try and do at some point, hell I am not even sure it can be done but I want to at least try at some point, I want to include all footage in 1 film but I do not want the intro that shows Lord Darkness right away(can't remember which version shows him right from the start) this gives away to much to early lol, and don't laugh but I would like to try and use the Tangerine Dream score throughout the entire film, I have all score CD's to help where needed, but again not even sure it can be done smoothly, all this talk about The Neverending Story brought my thoughts back to this title, I use to play The Neverending Story, Legend and Labyrinth for my now oldest Son a ton back in the day and these kind of grew on me over the years and I still like all 3 of them very much.

Thanks

*edit, does anyone know if Leonenut is still a member here or even active on the Community? I helped him get his edits out into the wild back in the day.

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Here is a comparison between the Theatrical Cut and the Director's Cut.

"I kill Gandalf." - Igor, Dork Tower

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MrBrown said:

Here is a comparison between the Theatrical Cut and the Director's Cut.

Thanks MrB but I need the European in there to lol, the DC would be the base and then I could just add in what is missing from the US and European to that, maybe this won't work, but like I said all this Neverending Story talk got me thinking about this film again. 

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It's the American release that shows Darkness right away, spoiling his more dramatic entry later on in the film.

There was an old issue of Video Watchdog (No. 29) that had an article “Reconstructing Legend,” which broke down the differences between the American and European cuts of the film using the existing laserdisc editions, which was very informative. Obviously this doesn't take the Director's Cut into account, but given that most web resources will, this might be your best guide to the divergences between the original theatrical versions.

It may be VERY difficult to match footage up from the variant versions of the film as each are different transfers with different color timings from different eras (the DC looks pretty raggy by today's standards), but I'd be interested to see what you can do with it.

Could anything be done with the sound? The DC sounds a bit flat.

“That’s impossible, even for a computer!”

“You don't do ‘Star Wars’ in Dobly.”

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StarThoughts said:

It's the American release that shows Darkness right away, spoiling his more dramatic entry later on in the film.

There was an old issue of Video Watchdog (No. 29) that had an article “Reconstructing Legend,” which broke down the differences between the American and European cuts of the film using the existing laserdisc editions, which was very informative. Obviously this doesn't take the Director's Cut into account, but given that most web resources will, this might be your best guide to the divergences between the original theatrical versions.

It may be VERY difficult to match footage up from the variant versions of the film as each are different transfers with different color timings from different eras (the DC looks pretty raggy by today's standards), but I'd be interested to see what you can do with it.

Could anything be done with the sound? The DC sounds a bit flat.

Can this Video Watchdog #29 be downloaded anywhere? as for the sound I would love to get the Tangerine Dream score to work, I like the other score as well but I grew up with and am more used to the Tangerine Dream score and just prefer it more.

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dark_jedi said:

Can this Video Watchdog #29 be downloaded anywhere? as for the sound I would love to get the Tangerine Dream score to work, I like the other score as well but I grew up with and am more used to the Tangerine Dream score and just prefer it more.

There do not appear to be any digital versions of the magazine; the staff are apparently putting together a kickstarter to develop a digital archive.

The issue itself is on eBay for $6.

I wish I still had all of my old Video Watchdogs, I would just scan the articles for you, but unfortunately they were lost in a move a few years ago.

“That’s impossible, even for a computer!”

“You don't do ‘Star Wars’ in Dobly.”

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Here you go, my friend: http://www.figmentfly.com/published/legendarticle.html

That's from the original author, so it's the fully uncut version of the article; i.e., no magazine editing.

He also has shot-by-shot breakdowns for each cut!

Enjoy!

A picture is worth a thousand words. Post 102 is worth more.

I’m late to the party, but I think this is the best song. Enjoy!

—Teams Jetrell Fo 1, Jetrell Fo 2, and Jetrell Fo 3

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AntcuFaalb's link was exactly the article I was talking about, albeit longer. Those shot breakdowns for all versions should be invaluable.

It's nice to be able to read the original “Building the Perfect Dune” article as well…

“That’s impossible, even for a computer!”

“You don't do ‘Star Wars’ in Dobly.”

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AntcuFaalb said:

Here you go, my friend: http://www.figmentfly.com/published/legendarticle.html

That's from the original author, so it's the fully uncut version of the article; i.e., no magazine editing.

He also has shot-by-shot breakdowns for each cut!

Enjoy!

Thanks a ton for this link, does anyone know how to make a pdf file of this with image if possible for offline viewing?