
- Time
- Post link
bkev said:
The bigger question is, if there IS a team, why do we still have to stomach -1's asinine formatting?
+whateverthelimitis
The bigger question is, if there IS a team, why do we still have to stomach -1's asinine formatting? I'm pretty sure we didn't on the blog, but it's been awhile.
A Goon in a Gaggle of 'em
Joel said:
As a former post-production person, I am picturing a workflow after manually cleaning the film:
1) scanning
2) digital cleanup
3) color correction
4) audio sync
5) make a video masterIf I were the project manager, I'd have 12 people each take 10 minutes of one film, do digital cleanup (with predetermined rules from team -1) for a couple of weeks, then send it all back for final color correction. Is this not feasible? Too much chaos introduced?
That is assuming you have 12 people of equal experience, that can all do film restoration work, and that have the hardware capable of handling the job.
It is hard enough to find 2 people that have the time, software, experience and hardware :)
It also assumes that the 'master' person has over 100TB of HDDs to handle the scans, a backup copy of them and the works in progress.
I have no idea how many are on their team or what their skill level is or how much hardware and software they own, but it is a big job however you slice it.
Expectation levels are quite high too, so quality-creep might be playing its part.
Donations welcome: paypal.me/poit
bitcoin:13QDjXjt7w7BFiQc4Q7wpRGPtYKYchnm8x
Help get The Original Trilogy preserved!
bkev said:
The bigger question is, if there IS a team, why do we still have to stomach -1's asinine formatting?
+whateverthelimitis
I thought "Team -1" was 3 people.
"Right now the coffees are doing their final work." (Airi, Masked Rider Den-o episode 1)
Aren't they all just bingowings?
“It’s a lot of fun… it’s a lot of fun to watch Star Wars.” – Bill Moyers
You meen they're a...
Molly said:
I thought "Team -1" was 3 people.
Every person that's contributed comments, thoughts, and support is a part of the team.
Team Negative1
poita said:
Joel said:
As a former post-production person, I am picturing a workflow after manually cleaning the film:
1) scanning
2) digital cleanup
3) color correction
4) audio sync
5) make a video masterIf I were the project manager, I'd have 12 people each take 10 minutes of one film, do digital cleanup (with predetermined rules from team -1) for a couple of weeks, then send it all back for final color correction. Is this not feasible? Too much chaos introduced?
That is assuming you have 12 people of equal experience, that can all do film restoration work, and that have the hardware capable of handling the job.
It is hard enough to find 2 people that have the time, software, experience and hardware :)
It also assumes that the 'master' person has over 100TB of HDDs to handle the scans, a backup copy of them and the works in progress.
I have no idea how many are on their team or what their skill level is or how much hardware and software they own, but it is a big job however you slice it.
Expectation levels are quite high too, so quality-creep might be playing its part.
A couple of weeks will clean a few seconds of film.
Team Negative1
team_negative1 said:
Every person that's contributed comments, thoughts, and support is a part of the team.
Team Negative1
Cool. Please post your password.
More frames from Star Wars:
=============================
The opening:
--------------
The crawl:
---------------
C3PO and R2D2:
------------------
Rebels:
--------
Uncorrected:
--------------
More rebels:
-------------
The empire:
-------------
The original capture equipment:
----------------------------------
Using filmguard:
------------------
More shots of the equipment:
--------------------------------
Size of Frames:
-----------------
Early attempt at color matching:
----------------------------------
The crawl:
-----------
http://originaltrilogy.com/forum/topic.cfm/The-GOUT-crawl/post/565940/#TopicPost565940
More on the crawl:
--------------------
http://originaltrilogy.com/forum/topic.cfm/The-GOUT-crawl/post/583578/#TopicPost583578
Color correction on crawl:
----------------------------
http://originaltrilogy.com/forum/topic.cfm/The-GOUT-crawl/post/583582/#TopicPost583582
Light saber:
------------
Rebels:
--------
Cropping the images:
-----------------------
With Cropping areas:
-----------------------
Flyover cropping:
-------------------
More cropping:
----------------
Red reel cropping:
--------------------
Lukes farm:
-------------
R2D2:
-------
Luke training:
---------------
Ben and Luke:
---------------
Han and Luke:
---------------
Home Preview video links,
are in this thread, for a
bootleg screening:
================
Parts:
-------
Cleaning up dirty frames:
---------------------------
Red reel:
----------
Team Negative1
team_negative1 said:
poita said:
Joel said:
As a former post-production person, I am picturing a workflow after manually cleaning the film:
1) scanning
2) digital cleanup
3) color correction
4) audio sync
5) make a video master
If I were the project manager, I'd have 12 people each take 10 minutes of one film, do digital cleanup (with predetermined rules from team -1) for a couple of weeks, then send it all back for final color correction. Is this not feasible? Too much chaos introduced?
That is assuming you have 12 people of equal experience, that can all do film restoration work, and that have the hardware capable of handling the job.
It is hard enough to find 2 people that have the time, software, experience and hardware :)
It also assumes that the 'master' person has over 100TB of HDDs to handle the scans, a backup copy of them and the works in progress.
I have no idea how many are on their team or what their skill level is or how much hardware and software they own, but it is a big job however you slice it.
Expectation levels are quite high too, so quality-creep might be playing its part.
A couple of weeks will clean a few seconds of film.
Team Negative1
The Star Wars trilogy. There can be only one.
As soon as he posts his password, we can all jump in and knock this puppy out in a week.
TV's Frink said:
As soon as he posts his password, we can all jump in and knock this puppy out in a week.
I'm not sure that would actually help unless someone can also show us how to enter a linefeed into the password field.
At the risk of sounding more stupid than usual...what's a linefeed?
TV's Frink said:
At the risk of sounding more stupid than usual...what's a linefeed?
US-ASCII (and character-sets derived from it, including Latin-1 and UTF-8) has two character-codes that signify "move to the next line":
10: Line Feed, a.k.a., New Line
13: Carriage Return
http://www.asciitable.com/index/asciifull.gif
*n*x systems (e.g., GNU/Linux) use a single Line Feed to represent newlines. Classic pre-OSX Mac systems used a single Carriage Return to represent newlines. Microsoft systems (e.g., MS-DOS and Windows) use a Carriage Return followed by a Line Feed to represent newlines.
These terms come from the typewriter days of old...
Carriage Return -> return the carriage to the start position
Line Feed -> move to the next line on the paper
A picture is worth a thousand words. Post 102 is worth more.
I’m late to the party, but I think this is the best song. Enjoy!
—Teams Jetrell Fo 1, Jetrell Fo 2, and Jetrell Fo 3
AntcuFaalb said:
TV's Frink said:
At the risk of sounding more stupid than usual...what's a linefeed?
US-ASCII (and character-sets derived from it, including Latin-1 and UTF-8) have two character-codes that signify "move to the next line":
10: Line Feed, a.k.a., New Line
13: Carriage Return
http://www.asciitable.com/index/asciifull.gif
*n*x systems (e.g., GNU/Linux) use a single Line Feed to represent newlines. Classic pre-OSX Mac systems used a single Carriage Return to represent newlines. Microsoft systems (e.g., MS-DOS and Windows) use a Carriage Return followed by a Line Feed to represent newlines.
These terms come from the typewriter days of old...
Carriage Return -> return the carriage to the start position
Line Feed -> move to the next line on the paper
And, I would think, carried over because dot-matrix printers are just like that.
timdiggerm said:
AntcuFaalb said:
TV's Frink said:
At the risk of sounding more stupid than usual...what's a linefeed?
US-ASCII (and character-sets derived from it, including Latin-1 and UTF-8) have two character-codes that signify "move to the next line":
10: Line Feed, a.k.a., New Line
13: Carriage Return
http://www.asciitable.com/index/asciifull.gif
*n*x systems (e.g., GNU/Linux) use a single Line Feed to represent newlines. Classic pre-OSX Mac systems used a single Carriage Return to represent newlines. Microsoft systems (e.g., MS-DOS and Windows) use a Carriage Return followed by a Line Feed to represent newlines.
These terms come from the typewriter days of old...
Carriage Return -> return the carriage to the start position
Line Feed -> move to the next line on the paper
And, I would think, carried over because dot-matrix printers are just like that.
Yes, and teletype machines (UNIX was developed on one).
A picture is worth a thousand words. Post 102 is worth more.
I’m late to the party, but I think this is the best song. Enjoy!
—Teams Jetrell Fo 1, Jetrell Fo 2, and Jetrell Fo 3
Man did the air get sucked out of that joke :(
Like David Bowman re-entering the Discovery.
Donations welcome: paypal.me/poit
bitcoin:13QDjXjt7w7BFiQc4Q7wpRGPtYKYchnm8x
Help get The Original Trilogy preserved!
CatBus said:
Man did the air get sucked out of that joke :(
Glad to be of service!
Fantastic work. Pleasure to see this project.
Remember, Highlander, you’ve both still got your full measure of life. Use it well, and your future will be glorious.
team_negative1 said:
A couple of weeks will clean a few seconds of film.
Team Negative1
Argh - forgive my frustration here, but this vague, grammatically-challenged proclamation doesn't even address my question, it just re-states what I already said - in essence, "This is taking a long time."
My question is: WHY does it take a couple of weeks? I'm curious as to why it's taking so long, that's all.
Since physically cleaning a few frames takes less than 1 second, we must be talking about digital cleanup.
I'm a digital media guy, so I'm having a hard time understanding why it would take someone with a modern computer *weeks* to do anything. Photoshop, After Effects - is the "team" using these? If not, why not?
Am I grossly oversimplifying?! Probably!
Joel said:
team_negative1 said:
A couple of weeks will clean a few seconds of film.
Team Negative1
Argh - forgive my frustration here, but this vague, grammatically-challenged proclamation doesn't even address my question, it just re-states what I already said - in essence, "This is taking a long time."My question is: WHY does it take a couple of weeks? I'm curious as to why it's taking so long, that's all.
Since physically cleaning a few frames takes less than 1 second, we must be talking about digital cleanup.
I'm a digital media guy, so I'm having a hard time understanding why it would take someone with a modern computer *weeks* to do anything. Photoshop, After Effects - is the "team" using these? If not, why not?
Am I grossly oversimplifying?! Probably!
The team is using a program that I've worked with quite a bit. (PM me for the name.)
The reason it takes weeks is that:
(1) Despite the fact that this particular program has an incredible state-of-the-art automatic dirt/dust fix tool, you have to examine each frame individually to guarantee that the tool didn't produce any unwanted artifacts (e.g., "cleaning" someone's pupil). Furthermore, you have to modify the settings to work best with each and every shot.
(2) If you're careful and the automatic dirt/dust fix tool doesn't produce any unwanted artifacts, then you're most likely left with dirt/dust that you need to clean manually. This takes a long time.
(3) Other kinds of damage (e.g., scratches and tears) are much harder to fix.
(4) Each member of the team has a life outside of OT.com. They're only working in their free time.
In conclusion, it's not just about pushing buttons and waiting for progress bars to finish. The team has to painstakingly examine and restore each and every one of the ~175,000 frames in Star Wars.
If you want to better understand what's involved in digital film restoration, then please PM me and I'll hook you up with everything you need to try it out first-hand.
A picture is worth a thousand words. Post 102 is worth more.
I’m late to the party, but I think this is the best song. Enjoy!
—Teams Jetrell Fo 1, Jetrell Fo 2, and Jetrell Fo 3
AntcuFaalb said:
...
In conclusion, it's not just about pushing buttons and waiting for progress bars to finish. The team has to painstakingly examine and restore each and every one of the ~175,000 frames in Star Wars.
If you want to better understand what's involved in digital film restoration, then please PM me and I'll hook you up with everything you need to try it out first-hand.
First, thanks for stepping up to explain this.
If I understand correctly, the answer to my question is that
1) there are 1-3 people on the team,
2) each person is only working on it occasionally, not several hours per day or even every day.
re: "In conclusion" No one said anything about "pushing buttons and waiting for progress bars to finish" and I certainly didn't mean to suggest that any of this was easy work. My question was why this "team" was taking so long.
I understand what is involved with digital film restoration.I have been in a position where I worked daily with digital film restoration people, and I trained (briefly) in visual effects at Technicolor. Among other things, I have rotoscoped, removed wires from special effects shots, and fixed still photos in my career.
The restoration guys I knew used software that allowed quick comparison of small areas of the frame to the previous and next frames, going several forward or back as necessary. This allowed quick replacement and blending of repaired areas. They would do thousands of tiny fixes in an 8 hour day. I'm afraid I don't know the name of the software and for all I know it could have been proprietary.
So my frame of reference is a team (2 guys working 8 hours per day) cranking out MANY cleaned frames daily, thousands of fixes. When "Team -1" says something takes weeks, i keep picturing a process similar to the one I know, but you're saying that's clearly not the case.
One person manually fixing each frame sounds like a nightmare, but it's not necessarily a "few seconds of footage every week" kind of nightmare unless you're only spending a little time on it every week. That definitely explains why it's taking years.