zeropc said:
at the end it's still a different thing what you see on set and what you see in the finished product.
Well, exactly - and what you're seeing in cinemas, through digital projection, is pretty much what is on what would be considered the equivalent of the o-neg in digital film making, so the fact that something is scanned from the o-neg doesn't mean that you have to get lobster-men and hoe makeup if the restoration is done sensitively.