Many are discussed in my older thread on a similar topic: http://originaltrilogy.com/forum/topic.cfm/Films-re-color-timed-on-video-releases/topic/15311/

The only big color criticism off the top of my head I have with WB overall is the Superman films which all have teal throughout now on BD for some unknown reason. Additionally the budget for the Donner Cut of II was rather low and the timing was not done on any footage until the final edit and that was done pretty much with modern sensibilities in mind.

Pretty sure the Leone films are wrong on MGM's transfers with FAFDM may be the closest to intended composition and color. Duck You Sucker is very green/brownish and washed out looking. GBU SE is a travesty all around and the 35mm looked washed out.

The modern Bond transfers are all wrong for color. They are no longer of their vintage and were timed to suit modern tastes in many preferences, even on the BD remastered takes on the same masters. That is why the newer releases such as YOLT, OHMSS and DAF have far too much contrast and lack that color depth from Technicolor and vintage non faded Eastman. The new TSWLM master is wonderfully detailed but the color isn't quite right I think--yet a darn sight better than the awful bleaching the film got at the hands of Lowry in 2006.