dvdmike said:
Jetrell Fo said:
dvdmike said:
So you remixed it to 5.1? Because the center info is exact to what the hd-dvd has and not just voice
There was no remixing done by me. The proggie essentially separates the channels per the DTS cinema standard. Now, once that is done it CAN be adjusted is usually needed for home use compared to cinema use.
Info:
http://www.cs.cmu.edu/~clamen/misc/movies/DTS.html
http://forum.videohelp.com/threads/53274-Ok-guys-DTS-conversion-challenge-with-FACTORY-DTS-DISCS-!!
:)
Why would it remix a 4.0 mix to 5.1 what would be the point? that is what I am getting at
It is possible that the 4.0 mix you speak of was for 70mm print (if it had one) showings.
adapter223 said:
hello, hope this helps You, I asked a guy who done the theatrical mix for Waterworld and he wrote this:
"When we mix for a film, we mix in a discrete mode, that being, we monitor without the Dolby or DTS matrix inserted into the monitors. For "Waterworld" we created a 5.1 mix for four formats: Dolby Digital, DTS, and SDDS and the 2 trk LT RT . I have no idea what happens once the project leaves for DVD mastering. It's done somewhere else, and sometimes not even on the studio lot. It's possible that the DVD made into a 5.0 was generated from the 2 trk Print Master."
This post from the other thread shows there was a 2 Trk LT RT mix done but I do not have it. I have no information on what presentation the mix was created for.