Fang Zei said:
danny_boy said:
I actually have the Sony vw1000es 4K home cinema projector.
The Star War's blu's(both prequel and original) look absolutely phenomenal on it.
But.....
Due to the increased resolution offered by the projector....(all be it upscaled) the limitations of the analogue techniques used in making the OUT are far more pronounced.
In particular , scenes and shots which where optically composited exhibit noticibly softer looking images than 1st generation material.
4K(and to a lesser extent 2K) is ruthless in exposing these discrepencies.
By their nature large portions of the original films featured such material.
A 4K master and a 4K Digital Cinema Package(DCP) may be too "harsh" on the OUT .
One of the reasons why Lucas opted for a 2K master.
And Lucas is not the only one.
Bob Gale said that Back To The Future(another film featuring optical compositing) was mastered from a 1st generation Interpositive for the Blu Ray release in 2010.
The original Superman films have also been scanned at 2K resolution from 1st generation interpositives.
Not because studios are trying to save a few bucks....but because 2k is good enough and scientific studies have confirmed this.
Blade Runner gets alot of hype for having been restored in 4K and is wrongly compared(by Zombie) to Star Wars.
But Blade Runner's release package was downrezzed to 2K for distribution for the 25th anniversary in 2007.
It was never projected in native 4K
(i.e it was a 4K master downrezzed to a 2K DCP and then upscaled on a 1st Generation Sony 4K projector----which few cinemas had back in 2007)
It is also worth noting that the distinction between 2K digital cinema projection and Blu ray is not that great.
2K projection is 1080 vertical X 2048 horizontal
Blu ray is 1080 vertical X 1920 horizontal
A miniscule 6 % difference.
Th only real differences are not in resolution......but in compression.
The average DCP is estimated to be 250gb....blu ray maxes out at a compressed 50gb
2K projection also has slightly higher colour bit depths.
Just to make things more convoluted....an uncompressed 2K file maybe better looking than a compressed 4k file.
So resolution is not the only factor in delivering a good all round product.
I remember you bringing up the Blade Runner thing before. Are you sure there was no true 4K projection of The Final Cut? I saw it opening night at the Ziegfeld and it looked pretty impressive up on that bigass screen. I just assumed it was true 4K. Are you sure you're not jumping to conclusions based on that recent article at AVS Forum about how After Earth was mastered at 4K but only shown at 2K due to the lack of "true" 4K capabilities in many theaters???
ETA:
That's a good point about 2K versus 1080p. Actual 2K cinema projection can look phenomenal when projected on to a 30-40' screen. The independent movie theater only three blocks from where I live just upgraded to a Christie 2K projector. Star Trek Into Darkness was the first movie they showed on it and it looked way better than a blu-ray could ever hope to look. Yes, the pixel count isn't that different, but you're talking about the DCI color space vs rec. 709, 4:4:4 color sampling instead of 4:2:0, and intraframe compression instead of interframe compression. You're essentially seeing 24 high-quality jpegs per second.
Hi Fang fZei
BladeRunner was never projected at native 4K in 2007.
It was just projected through a 4K projector from a 2K hard drive(in some theaters).
And it was projected at 2K in all the other cinemas that were equiped with digital 2k projectors at the time.
Dave Mullen(Cinematographer ASE):
Posted 12 November 2007 - 08:36 AM
The DCI cinema master is 2K(of Blade Runner) even though the restoration is 4K, that's the reason.
There really aren't many DCI servers in digital theaters that can handle 4K anyway -- most 4K demos bring in their own computers and whatnot to show the material.http://www.cinematography.com/index.php?showtopic=26843
We are very excited to present the final cut of "Blade Runner" in a 2k Digital presentation.Widescreen Weekend 2008
Thomas Hauerslev
Film Programmer
NMM
Bradford
England
Saturday, June 14th(2008) was a day to remember here in Los Angeles – it was the day of the perfect Blade Runner experience. The one-time-only charity screening took place on the Warner Brothers backlot (where the film was made) and director Ridley Scott, co-screenwriter Hampton Fancher and a host of others were on hand afterwards to take questions from the audience.
2K DLP image was nothing less than perfect; it was as if someone had plugged the film directly into our brains and I think all in attendance would agree that we shared the rare pleasure of experiencing – for the first time – every last drop of Blade Runner.
http://darthmojo.wordpress.com/2008/06/18/scott-on-blade-runner/
page updated: 11/13/07
The studio has just informed us that the limited theatrical release of Blade Runner: The Final Cut is expanding to select markets around the country, and some of the screenings are expected to be in 2K resolution digital projection where available. Here's a list of dates and locations (look for more updates on the film's official website):
http://www.thedigitalbits.com/site_archive/mytwocentsa145.html
You said you saw Blade Runner at the Ziegfeld:
In 2007 it was equiped with this:
NEC's STARUS NC2500S Projectors Installed in Historic and Nationally Renowned Fox Theatre in Atlanta and Ziegfeld Theatre in Manhattan
NEC's STARUS NC2500S is the world's brightest DLP Cinema projector for large-sized screens 49 feet wide or larger. Delivering 2K resolution and high contrast ratios (2000:1), the STARUS NC2500S digital cinema projector is easy to operate and requires minimal maintenance. It can easily achieve the industry required standard of 14 foot lamberts on the largest cinema screens casting a remarkable digital image and delivering amplified brightness, sharper graphics and eye-catching color.
http://finance.paidcontent.org/paidcontent/news/read?GUID=162781