poita said:
If you would prefer, I can scan the film in sequential mono, i.e. the scanner captures three images per frame to a mono sensor, pulsing the RED, GREEN and BLUE lights separately to give you a separation transfer.
This gives the highest colour fidelity possible, but means you do have to reassemble the colour so to speak.
Let me know, it takes longer obviously, but I can scan it that way.
Hmmm... What would this do for us? How would we reassemble the separations?