My expertise in film audio is virtually non-existent. I've used ACID, Audacity and FL Studio for a few years, and have done a bit of video production at University, but it's unlikely anything I ouput would be at the same standard as a lot of the audio work on this forum. So far I have aligned the digital rips against other GOUT-synced audio sources, and patched the disc change gaps with the analogue captures of the theatrical mixes. Outside of that, and matching the master gain to fall in line with other mixes I have not made any changes.

I will scan over these in the next few days, and see what needs fixing. Does anyone know of any particular defects that are in these mixes already?