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Indy Blu-rays announced — Page 8

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jero32 said:

Are you reffering to indie or the other project?
(btw sorry yes I did miss it)

Well tbh for the other project I haven't seen enough footage to make a definitive conclusive answer to that. (however based on screenshots, I'd say its just the desert probably)

As far as indie goes, without owning the blu-ray (stil gonna buy it) It does seem the whole movie is more yellow tinted, but that could be because its mostly set in a desert.

Thanks, and yes I was referring to Raiders.

 

 

"Well here's a big bag of rock salt" - Patton Oswalt

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Harmy said:

The only thing I found is this:

http://www.youtube.com/watch?v=wZQW0bUbQMw

That's the trailer I immediately thought of after seeing the 35mm restored print. It looked as if they tried to match that which was always brilliantly saturated. Of course, is this how the film originally looked? We have no idea. To my eyes the new version didn't feel right, and some of the work done was visible.

So both the color timing and the soundmix are still unknowns as to original theatrical presentation.

The biggest thing is how in the heck did Douglas Slocombe shoot without a light meter? ;)

Thanks for the tweak comparison you_too, it makes for an interesting what-if, but on TOD it doesn't match the cinematography style and undermines it a bit. I have always loved the use of darkness and shadow in that film that at least visually differentiates the film from the others.

 

VADER!? WHERE THE HELL IS MY MOCHA LATTE? -Palpy on a very bad day.
“George didn’t think there was any future in dead Han toys.”-Harrison Ford
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Ya, very funny to see how badly this was taken by some people, only to have evidence contrary to their claims show up.

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Also, wouldn't they use teal and orange nowadays rather than yellow? :-P

A picture is worth a thousand words. Post 102 is worth more.

I’m late to the party, but I think this is the best song. Enjoy!

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Yeah, I think often people got used to the DVD, VHS and LD color timing over the years, when in fact it was wrong for various reasons. You only need to look at Star Wars to know that true. So it's quite possible that the color timing of Alien BD could be correct, or it may not but you can't categorically state that it's wrong until you have a proof other than older home video releases and your memory.

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Moved the discussion from: http://originaltrilogy.com/forum/topic.cfm/team-negative1-star-wars-1977-35mm-theatrical-version-release-details-and-updates/topic/14590/page/23/

You_Too said:

And for some reason I can't find a single image comparison of this snake reflection everybody keeps talking about. Can't be something big?

It's something you notice in motion and not so much on a still, it is gone when Indy falls into the Well of the Souls. When Marion falls and faces the cobra, the reflection is still there. Not the end of the world, I only wish they'd make up their mind about it.

There's no question about it in my mind that Raiders should be warm and that the DVD transfer is off but to me those beautiful LPP pics just reaffirms that there was a broader spectrum of colors in the film compared to what is present in the BD.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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From what I recall of the pit reflection, it's tough to miss but it's there for so short a time it's really an inconsequential loss -- like the wires on the plane in Goldfinger. Just my two cents.

A Goon in a Gaggle of 'em

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msycamore said:

There's no question about it in my mind that Raiders should be warm and that the DVD transfer is off but to me those beautiful LPP pics just reaffirms that there was a broader spectrum of colors in the film compared to what is present in the BD.

msycamore, did you actually compare the BD to those images? Well, I did and I can tell you that aside from the print pictures being even more yellow/green tinted, the BD sure shows a broader spectrum of colors than these pictures - and sure, they don't seem to be exactly professionally scanned, so the print itself could be better but you'd be pushing it pretty hard to be judging the BD to have narrower spectrum of colors than this print just from those pics.

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bkev said:

From what I recall of the pit reflection, it's tough to miss but it's there for so short a time it's really an inconsequential loss -- like the wires on the plane in Goldfinger. Just my two cents.

Very much agree, but it's also for that same reason the elimination is such a weird thing to do. The thing is, everyone who sees or have seen Raiders knows that Harrison isn't facing the cobra without safety precautions, before the DVD transfer this reflection was seldom mentioned by fans seeing the film, well known but seldom mentioned, then when this inconsequential thing gets erased it draws an enormous attention to itself to the point where people studying the scene because there was an alteration made. So ultimately the removal gets more known than the original flaw was in the first place.

Harmy said:

msycamore, did you actually compare the BD to those images?

Yes, I did. I own the BD myself and I think it's a very fine release and not nearly as bad as some early screencaps or internet-alarms made me believe, but IMO they tried bringing back the warm hues again with a varied succesful result.

Harmy said:

Well, I did and I can tell you that aside from the print pictures being even more yellow/green tinted, the BD sure shows a broader spectrum of colors than these pictures - and sure, they don't seem to be exactly professionally scanned, so the print itself could be better but you'd be pushing it pretty hard to be judging the BD to have narrower spectrum of colors than this print just from those pics.

Well, you should of course be cautious judging screencaps like that but I'd say you would be pushing it equally as hard then by saying the BD colors seems very much accurate based on those same pics. Should those pics be something you bring up as a sort of yardstick or not?

When I mentioned a broader spectrum of colors I'm talking pre-digital grading, every shot in the BD transfer contains the same shades of colors independant of scene, which ultimately makes it hit or miss depending on what scene you're looking at. It's not like those who are spotting this stuff a mile away believe the colors; teal or orange was invented just a few years ago, it's in the way they are used, often in the way physically impossible with lab-processing.

Raiders was shot mostly on location quick and dirty, to get that consistent timing back in '81 would have demanded an enormous level of accuracy and pre-planning from the cinematographer, set designer and costume designer etc.

I love those LPP pics because of the simple fact that you can see the bronze/golden brown and yellow hues which I very much associate with certain parts of Raiders, in the BD those parts are more headed towards a dull orange/yellow.

And this is of course all my simple opinion, I don't claim to be an authority on what is "accurate" or not, I just tellin it the way I see it. All in all I'm happy with how it turned out, especially with the reverted alterations but I don't see it as the flawless transfer either. I'm also aware of "is there any new release this guy accept?" which is why this is small potatoes, but Raiders is Raiders so it would be unusual if its BD debut wasn't surrounded by controversy. It's one of the most loved films out there after all.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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Yeah, I see what you mean. What I really meant before was that these pictures show that the BD is much closer to being accurate to the original colours than the DVD was, contrary to what many people said. You can't of course say how accurate it is exactly, because those pics aren't completely trustworthy.

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Harmy said:

Yeah, I see what you mean. What I really meant before was that these pictures show that the BD is much closer to being accurate to the original colours than the DVD was, contrary to what many people said. You can't of course say how accurate it is exactly, because those pics aren't completely trustworthy.

Ah, ok sorry if my response came off as blunt. I agree, and that is also the case with the mid 90's LD IIRC, too cold IMO. What would be equally fantastic is an LPP print of Empire showing up. Nice to know these prints are out there and being taken care of.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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I think the reason the bluray doesnt match the print look EXACTLY is that they digitally timed it, it just doesnt look exactly the same as a chemical timing.

Considering chemical timing would have varied from print to print though, I"m not sure this a bad thing neccesairly.

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Might be an insanely stupid question, but how can we know if that print is from 1981 and not recently made from the blu-ray master? Because of the dirt that shows up in the scans?

Either way, I'm taking back all that I have said about the color timing of this film. It looks phenomenal and in fact I own another BD that has a similar color timing: The Ten Commandments. I think I read that it was also color timed carefully to match the original appearance of the film, and it looks just as stunning as Raiders.

Makes me wonder how many old films haven't yet gotten a correct color timing on their BD releases. And what about Indy 2 and 3? Are there any LPP scans of them out there to show how they looked back then? They both look pretty good on BD too, but I think they could at least have removed the edge enhancement.

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 (Edited)

So, are Indy 2 and 3 confirmed to be the same master as the DVD and HDTV? I've read somewhere that they come from a new 4K scan as well, only they didn't get the same level of restoration as ROTLA but that info could of course be wrong.

And actually the possibility of the ROTLA print being a new one didn't even occur to me. Did they make 35mm prints from the new master? I thought it was just IMAX and digital?

Anyway, I think jero32 got it right - going from the negative, they'd have to do a new colour timing and trust me, I know that digitally emulating photochemical colour timing is very hard, so they probably did the timing based on some non-fade source but it looks a bit different due to it being done digitally. From what I know about the way such restoration process normally works, it's more than likely that that is the case for most BDs. Unlike on LD and DVD masters, where they usually probably just tried to compensate for whatever fading there was on the film source they used.

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 (Edited)

On the picture of the actual reels, those wraparound labels don't look modern. The info for reel 6 is shown, and it looks stamped on. It also looks like the ink has faded. And it says "Dolby Stereo" - I am assuming a 35mm print of the restoration would have Dolby Digital and possibly DTS?

As for color timing, Raiders could be like The Neverending Story, in that it more closely resembles the original color timing than previous releases, but is still problematic. There's an excerpt from a Derann print of TNES on Vimeo, and the color scheme resembles that of the U.S. BD, but like msycamore said about Raiders, there does seem to be a "broader spectrum" of color than the digitally graded BD. (The U.S. BD of TNES also has issues with crushed contrast that I assume weren't in the original timing either.)

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Harmy said:

So, are Indy 2 and 3 confirmed to be the same master as the DVD and HDTV? I've read somewhere that they come from a new 4K scan as well, only they didn't get the same level of restoration as ROTLA but that info could of course be wrong.

I'm 99% sure they're the same as the HDTV masters. The edge enhancement and slight oversharpening sure looks the same. And the HDTV version of Raiders also had that edge enhancement and oversharpening.

So Raiders was most likely the only one to get a new scan.

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 (Edited)

jero32 said:


edit2: even more evidence of this in empire strikes back, it had a lot of orange and blue lighting in the carbonite freezing room. This seemed to me to be actual lighting vs photochemical enhancement.


You will find Blue and Orange contast in a lot of film lighting, the main reason being that film is sold in daylight and tungsten stocks. Not all light colors are the same, light bulbs are orange and daylight is blue (and florescent lights are green). Our eyes adjust to the difference in kelvin temperature, but not film stock.

Use daylight film indoors, and you will get an orange image if your lights are not gelled to adjust for the difference in light temperature.

Use tungsten film outdoors and everything becomes blue.

If you are shooting a film or tv show on the quick you WILL have a collection of tugnsten/daylight gels to make quick adjustments. Cinematographers just found out that having that blue/orange contrast was easy to do and makes for a "popping" image.

I know people complain about the whole teal obsession and I agree it's been a bit overdone, but cinematographers since the silent era have known that contasts create a very pleasing image. From the low-key black and white cinematography of German expressionism and American film-noir, to the rich contrasty colors of technicolor and beyond.

Let's just say that I don't see people missing the days of the low-contrasty, diffused look that plagued film cinematography of the 70s. *coughmccabe&mrsmillercough*

What’s the internal temperature of a TaunTaun? Luke warm.

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captainsolo said:



The biggest thing is how in the heck did Douglas Slocombe shoot without a light meter? ;)
 


In all honesty, shoot enough film and it really becomes second nature. After a couple years in film school, we could eye the aperature setting pretty well. A friend and I even shot a reel of 16 without a lightmeter and it turned out really well.

But I will say shooting a reel of 16mm one afternoon with your friends and shooting a large budget film are two different things. I know I wouldn't feel comfortable not making sure.

What’s the internal temperature of a TaunTaun? Luke warm.

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 (Edited)

Is the WowWow broadcast still available for Raiders?  At least Doom and Crusade were unaltered on the BD.

The HD broadcast i saw recently for raiders was pretty bad but it was the lowry same as the DVD's.

I personally want a blu ray like the WowWow broadcast. I mean color wise, the 4k restore would be perfect if they did not play digitally with the colors.

Otherwise an IP or later generation source should have been used, using the ocn meant having to newly color time the movie and we all know how well that has worked with star wars and james bond.

 

The color on the Lowry HD broadcast was wrong but this version looked very low res because of the extreme use of DVNR that was present.

Lowry seems to love to DNR they hell out of everything they touch.

As far as i know Raiders never had a IB technicolor print, but the blu ray and its blown out colors seems to be like they wanted a faux Technicolor IB raiders. And went a bit too far. 

“Always loved Vader’s wordless self sacrifice. Another shitty, clueless, revision like Greedo and young Anakin’s ghost. What a fucking shame.” -Simon Pegg.

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skyjedi2005 said:

Is the WowWow broadcast still available for Raiders?

Usenet - 188 days old - title ends in 'W23'

paradox site has it - title ends in 'W23'

Rutracker has different versions of it

 

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skyjedi2005 said:

I personally want a blu ray like the WowWow broadcast. I mean color wise, the 4k restore would be perfect if they did not play digitally with the colors.

The dvd colors are just as digitally altered though (at least that's what evidence has me believe) So now everything is a nice dark shade of blue.

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I also saw this movie in the theater in 1981, and the colortiming & grittier look of the WoWoW edition is much closer to how it actually looked in the theaters then versus the current Bluray release. I have the 2003 DVD release as well, and although that has some flaws to it, it is more theatrically correct also.

Is anyone who has this WoWoW version, planning on uploading it to MySpleen in the near future? I see that there are links to the WoWoW veersion on the Paradox site, but they are so slow.