It might only be a minor historical curiosity, but I recall Maurice Binder saying in a 80's Starlog magazine interview how he would do an "HBO version" of the main title sequences, after seeing how some of his earlier widescreen compositions got mangled on tv. Presumably, this was only done for the later Moore films onward.

I once saw a splitscreen youtube clip showing how different the title placement was on "A View to A Kill" between pan and scan and lettterbox versions, but can't find it now.