Laserschwert said:

In that case I'll add this shot to your to-do list ;-)

No way in hell :-) Also, I don't really see that much of a flicker in that shot, it seems more like the compression having a hard time dealing with the grain.

Is the color timing of the Blu-ray identical to the HDTV version? In that case switching footage shouldn't be that much of a problem.

More or less, yeah but I can't find the original project file for the shot.

Also, I've found another thing: The matte painting with the speeder flying into Mos Eisley has no gate weave either.

I'll see about it.