I would have thought that when producing the IB Prints they'd just be copying an inter negative which would already have the colour timing of an IP that would have been used for making other INs, so all IN and subsequently prints derived from that IP should have the same colour timing (or at least the same colour timing anomalies - overall brightness and contrast and saturation may differ). Am I wrong? Or could there at least be such a substantial difference between different IPs? How did they make sure that all IPs had the same or similar colourtiming; was the process somehow automated or did they have to set the timing for each shot manually every time a new IP was derived from the ONeg?
Anyway, here's the LS fight as it will appear in the final version:
http://uloz.to/xRu8mpX/ls-fight-new-new-mp4
I managed to get rid of the pink tint that plagued a part of the scene:
