Harmy, this is looking unbelievably good. I haven't been through the whole workprint but I noticed something that really stood out It's a shot that I know you've laboured over (and over) so I hate to point it out. In the first shot of the cantina Dewback starting at 00:41:50:17 there's a patch of what looks like blurred compression artifacts or large grain above the Dewback's head. Because it doesn't move it really stands out. The green grain in there also stands out unlike the green grain patch on the left which looks inherent. Could you render those few frames and patch heal that area in Photoshop? Alternatively you could mask it in Premiere and apply a bit of noise with a little blur. I gotta say, being able to watch the Mos Eisley sequence without the CGI additions is a wonderful thing and a shitload of work.