It kinda makes sense:
New IP made around '85 or so-Digital tape transfer-Overporcessing, sharpening, DVNR,-final resize to 4:3 letterboxed 2.35:1.
There's bound to be some cropping in there and definite resizing. Theatrically you're bound to lose some here and there unless you're a brilliant projectionist with a pristine print and great equipment or Stanley Kubrick pops up in Kansas to tell you that you're mis-projecting Full Metal Jacket...;)