schorman13 said:

russs15 said:

The Aluminum Falcon said:

Did anyone ever decide to capture the 1985 mix of ESB? Was the only difference to this changed levels?

Bumping this question again. Has anyone captured and synced to the GOUT the 1985 Digital Sound from the 1986 Japanese Special Collection (SF148-1242), 1989 Special Widescreen Edition (1130-85) or 1992 Full SCreen Digital Sound (5651-80) LaserDiscs?

Out of sheer curiosity I plan to do a 1980 in channel 1 and 1985 in channel 2 side by side mix just to hear this for myself. If anyone has done this or is halfway there, I am interested to see how they are getting on.

Russs, I just ordered the special collection on ebay, and I'm planning on ripping the audio at some point later this month. I also have the Special Widescreen version, which I'll also rip. I'm going to compare the rips to choose whichever is mastered better.

Ripping or capturing? there is a difference, I wish I had "rips" to sync up to my projects instead of a capture, but capture is still way better than nothing at all, but I just recently got The Terminator ripped Digital PCM from LD and it does sound better than my captured PCM, hell I can't even remember which LD's I used for which audio, I really need to start keeping notes, I PM'd CA to see if he remembers.

But if I could get actual "rips" of the audio, I would definitely re sync all audio over.