Bring Me the Head of Alfredo Garcia. Brilliant, dirty, grimy, barren, bleeding Peckinpah vision of tormented lives in Mexico. Probably the last great work from the director. (I know, haven't seen Cross of Iron yet.) It takes the intense degree of utter emptiness from Pat Garrett and amps it up several degrees. Insanely brilliant.
4 severed heads out of 4 sweaty, bleeding Warren Oates carrying machetes.
Duel/The Sugarland Express
I got to see these at my local arthouse in 35mm as double feature. I've wanted to see Duel theatrically forever, as it was supposed to be extended to 90 min (same as DVD version) and be opened up to 1.85:1. The print I saw was unbelievably vibrant, relatively free of damage, and had absolutely remarkable color depth. It was the extended 90 min version, but shown at 1.33:1. I don't know if that's the print Universal sent or if it was masked that way. (didn't look that way because there was no real screen spillover, and it took the projectionist a good 5-10 minutes to switch the masking to 2.35:1 for Sugarland.)
All I can say is after seeing this film a good 15-20 times, I was still blown away.
A still brilliant 4 manic Dennis Weavers out of 4 endless stretches of desert road.
Sugarland is the lone Spielberg film that I hadn't seen. It's really the lost film in his canon. For quite some time I've held a theory that both this film and Duel are combined into the overall story arc of Jaws. (Duel behind the second half of man alone vs. powerful beast, and Sugarland as the more folksy, humorous, down to earth portrait of society.)i think it's finally time to put this down on paper, because Sugarland indeed came off that way.
It is a well made film with a very Earthy tone of browns and a dense grain structure from the 70's stock and location shooting. The overall problem comes from the abrupt switch from quirky folksy humor to sudden dramatic scenes. The film is based on a true story, but it seems to not know where it wants to go in the end.
A well made 3 100 police car chases out of 4 Ben Johnson closeups.