S_Matt said:
I must say the strange double standards of the restorationalists puzzle me. Especially the notion that its fine to use tools that weren't available 35 years ago to clean and recolor a film but not okay to use the technology to fix compositing faults like matte lines and flickering boxes?
Seriously, most people here would be happy with an 4K scan of a 35mm print with dirt and scratches removed. Original soundtrack would be nice. How is that strange or puzzling?