-Not using FC. Using the archival version with the older colour timing. This matches the other versions better, although not all scenes match perfectly. Since I am cutting in Womble, I won't be CC'ing it. There might be a few shots I might have to export to Premier and correct there and then re-import, but I'm not sure if I'll be doing this. The film is polished enough, but I'm using raw dailies and workprint material as a sort of "Lost Cut" type reconstruction so I'm not so hung up on making this "Finished" quality.

Generally, everything matches with the exception of a couple odd bits, although if you are looking for perfect matching you will see that the contrast and hue levels might be different for footage added within a scene; hopefully, you will too involved in the film to notice. I am avoiding any footage that is so mismatched as to detract from the viewing experience.

-The WP ratio will not be corrected. WP material is used pretty sparingly and unless you are looking for it, you won't notice the aspect ratio change. You are more likely to notice the mismatched source quality if anything, but I've avoided instances where there is massive quality differences.

The final product will be a DVD with 2.0 sound (as the deleted scenes are 2.0).