Has anyone actually thought of recolour timing the 1997 SE versions ? They don't seem to suffer the crushed blacks as the 2004 SE, and the Flunk/Reivax and other broadcast sources seem pretty good quality wise to work with. If we could change the colour timing of those and then convert them to the theatrical versions (like Harmy has shown) we could be almost there.

Not saying this is the perfect solution (far from it) but certainly there would be more colour and detail to work with over some of the GOUT sources.